New Canon 1.4x and 2x Extenders now up for order

These things usually only come up for order when they know they will be shipping fairly soon so this is a good indication that the new MKIII Extenders (teleconverters) will be hitting stores soon.  Originally slated for a December release it seems this may slip to January.  B&H has them up for order now Canon Extender EF 1.4X III Canon Extender EF 2X III I wrote about these when they were announced earlier in the year at Photokina.

Interview on B&H Photo website

I just did an interview with the guys at B&H Photo, please check it out on their website HERE. Or download it here.

Redrock Micro Running Man HDSLR rig review

The ergonomic difficulties associated with HDSLR movie making is something we take as a given.  We accept it without much complaint because the end results can be well worth the trouble it takes to put together an HDSLR rig that suits your needs.  Cameras like the Canon 5dMKII and 7d were not intended to be used for pure video production purposes so there are a number of problems that need to be tackled if you are going to produce quality work with them.  The first such problem is a way to view the screen, which I have already touched on …

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Photography Tips for Skier Magazine

I was asked to create a series of ski photography tips to feature in Skier Magazine.  Here you can see a selection from that series as published.

5dMKII bit rate hack! Magic lantern firmware update.

Fans and users of the Canon 5dMKII will probably remember Tramm Hudson’s incredible firmware update that he created LONG before Canon did to allow for various additional features  like audio meters, zebra stripes and a feature to disable the auto audio gain.  Well ever since Canon’s own 24p firmware update that also included manual audio control, all has been quiet from Tramm and his Magic Lantern firmware.   Until today! Tramm has just released a new version of his firmware and this time it follows in a similar direction to the popular Panasonic GH1 bit rate hack.  Essentially it allows you …

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Panasonic GH-2 1:1 video mode is VERY interesting!

The Panasonic GH-2 is just starting to trickle onto the market from some of the major retailers and several people are reporting the discovery of a quite remarkable feature that Panasonic didn’t think to tell anyone about.  A feature so good that many people are saying it “changes everything again”.  At very least , it’s a headlining feature for people wanting to shoot video with the GH-2 and it is utterly puzzling as to why Panasonic is not flaunting this feature as one of it’s major selling points. So what is this feature I’m going on about ?  Well, tucked …

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World cup bobsled in my home town

I don’t often get to post photos of what I’m currently shooting because much of it has to stay under wraps until the clients have used them in the magazines or adverts. This weekend though I have my photojournalism hat on in my home town of Whistler, BC. The bobsled and skeleton world cup is here for the first round of the winter season at the Whistler Sliding Center that hosted the event for the 2010 Winter Olympics. Here is a photo from lasts nights 2-man bobsled event. Canada 1 bob piloted by Lyndon Rush grabbed joint second place in …

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Canon 5d MKIII speculation

Ok lets have some fun this week!  What would you like to see from Canon in the 5d MKIII ?  I asked myself this question and this is what I came up with. There’s no doubt that the 5D MKII was a revolutionary camera both in terms of it’s video capabilities and also it’s full frame still image quality at a much more affordable price than then 1DS MKIII.  I have no official information on 1DS sales figures but it’s pretty safe to assume they took a huge hit with the 5D MKII’s introduction, to the point where the ever …

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My backup routine

All hard drives will fail with 100% certainty. The only question is when ? It could be after a week, or it could be three or four years, but because they are mechanical it is a certain event. If you are not keeping redundant backups of your photos then at some point it is guaranteed you will loose some of your photos. They might be some family holiday snaps with only sentimental value or they might be your best selling stock images with a residual value of $100,000s . Either way there are some simple precautions you can take to prevent this from happening.

Different sizes of photography business will benefit from slightly different routines. If you are running a huge photo studio with 10 employees working on projects constantly then check out Chase Jarvis’ site for info on that scenario. My business is relatively small in comparison because I do that majority of the work myself, shooting, archiving, editing and client delivery are all done from my workstation and most of the time done by me when I am around. So if you are a one-man-band then this will be a bit more suitable to your needs. There are plenty of other permutations on how to handle this but this is what works for me. I will go into specific downloading workflow and Lightroom work in future articles, this one is just concerned with backup.

Office scenario (when I am not traveling)

Used cards from the day’s shooting are stacked up on my desk in one pile. In turn I take each card and put them into my Sandisk card reader. I use Lightroom 3 to ingest the photos from the card and tag them with the necessary metadata for the shoot. I use the COPY command in the Lightroom import interface and this is VERY important. If you use the MOVE command then it will delete the files from the memory card after it has moved them to your hard drive. By using COPY I am creating a copy of the file on my drive, and the original shot still remains on the memory card for the moment. All the files from the card are copied onto my DROBO storage unit into a folder called “Photo Archive” where they are then put into another folder labeled with the year and then a further folder with the date in dd/mm/yyyy format. For every day of shooting then I have a separate folder. If you are not familiar with DROBO storage then I suggest a read of their website which contains extensive videos on their usage. Basically they are somewhat similar to RAID systems in that they make duplicates of your files so if one drive in the DROBO fails, the data is still available on another drive and you have not lost anything. So at this point I now effectively have two copies of the photos on the DROBO (because it creates duplicates automatically) and one copy still on the memory card.

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ThinkTank launches new long lens rain cover

NOTE: There is now a newly updated, improved and cheaper version of this rain cover. Details can be found here. Think Tank Photo have just launched a re-designed version of their Hydrophobia 300-600 rain cover.  The name is a little deceptive though as you can easily use this on a Canon 800mm f5.6 lens too using the included cover extender.  Think Tank make some great rain covers and you can check out my review of the small Hydrophobia 70-200 HERE. The great thing about the design of this is that it stays on the lens even when it’s not raining, …

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SBC Skier cover shot of Dane Tudor

As a photographer there is very little that is more satisfying than walking into your local grocery store and seeing one of your images adorn the cover of your favorite ski magazine. When the issue in question is also the special 10th anniversary edition of the magazine it is even better! This photo of Dane Tudor was shot in Haines, Alaska while I was up there last spring time shooting alongside the Poorboyz Productions crew. You can read all about my trip in this post HERE. The line that Dane is skiing was one that he had his eye on …

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Canon 70-300 f4-5.6 L IS Review (Vs. 70-200 f4 L IS)

The Canon 70-300 f4-5.6 L IS was announced in September 2010 and made it to stores at the beginning of November.  There already exists two 70-300s in the Canon lineup but neither of them have ever been showered with praise.  The previous 70-300 f4.5-5.6 DO IS lens was incredibly small due to its difractive optics design, but image quality suffered and it never sold in large numbers.  The 70-300 f4-5.6 IS (non-L) is a more budget oriented lens (approx. $550) and again never really turned any heads.  I heard a lot of people cry “Oh my god a variable aperture …

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