Canon surprised many people with the introduction of this camera last week.  A large (1.5′) sensor camera with a fixed zoom lens is a unique product in the marketplace and I can see it being a popular solution with their target audience being people who already have a pro DSLR.  At CES this week in Las Vegas I was able to get my hands on a G1 X and also to have a quick chat with Canon representative Ben Thomas about the camera.

For full press release info and all the official photos head on over here.  For my first impressions please read on.

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Shortly after the launch of the Canon C300 I interviewed one of Canon’s technical staff about the camera.  At the time he mentioned to me that on top of the announced 3 EOS Cine prime lenses there were also two more in development.  One wider and one longer.  I now have a photo of these two prototype lenses, see below.  It’s rare that unannounced lenses are shown so I thought it well worth a mention.  No focal length is known at the moment, if I had to guess I would say 100mm or 135mm and 18mm?

On top of these primes, it would seem that there are also two new Cine zooms in development on top of the two that were officially announced announced alongside the C300.  The 14-60 and the 30-300 that were announced, are MASSIVE lenses and they don’t really fit the C300 form factor for those who want lightweight rigs.  There’s no way they could be handheld or used on Steadicam rigs but here are two NEW Cine zooms that are much much smaller and would seem to target the more portable market.  I’d imagine these will be comparable in spec to the Angenieux 16-42 and 30-80 that are so popular in 3d rigs and Steadicam rigs at the moment though potentially one could offer a longer range like a 70-200 which is a popular lens for DSLR shooters.

When will we see these lenses ?  Perhaps more info at NAB in the spring of 2012 but given the EF Cine primes that we do know about are not due until next summer I wouldn’t count on seeing any of these new ones on shelves until 2013.

 

It’s just that time of year when everyone is trying to get you to buy something !  Canon have just launched their huge winter rebate program and you can make savings on this from now until January 7th!

B&H have a dedicated page to help you get to grips will all the discounts.

I did a post similar to this on the recently announced EOS 1DX which people seemed to enjoy so here we are again with another one.  This time I was able to have a short conversation with Erik Allin from Canon today , who works out of their Hollywood branch and was a technical specialist in the research of the C300.  The chat turned up a couple of new interesting pieces of information that I’ve added here.

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Alongside the launch of the new EOS C 300 video camera, Canon have also addressed peoples concerns with using regular EF lenses on these cameras for shooting video professionally.  EF lenses were not designed with manual focus in mind and they can prove tricky to use when critical focus is necessary.

Those problems have now been addressed though with this new lineup which features a true cine style of long focus throw and detailed lens markings with distances as well as a manual aperture. All resolve to 4K:

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Ever since the somewhat accidental success of the Canon 5dMKII in the film making industry we’ve been waiting for Canon to incorporate their large sensor video capabilities into a camera that was designed from the ground up with this purpose in mind.  Many video capable DSLRs have come and gone since the 5dMKII launch but almost without exception they still had the same drawbacks of it’s predecessor when it came to more professional production.  Highly compressed footage, no XLR inputs for pro audio gear and no HD-SDI for pro monitoring gear.  In the mean time Canon’s competitors have released cameras like the Sony FS-100 and the Sony F3 and RED continue to have great success with their new EPIC camera.  Following the recent announcement that Panavision have stopped manufacturing their film cameras we can now truly say that the age of digital cinema is here.  A fitting time then for Canon to finally unveil what they have surely been working on since Vincent Laforet first showed the world Reverie, shot with the 5dMKII.  What is the target market going to be for this camera ?  What price will it be and does it spell the end to movie making with DSLRs ?  Read on to find out….

 

 

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I wanted make a brief post to mention this information that was pointed out to me by my friend Colby Brown.  It used to be the case that only Canon 1-series cameras could focus with lenses with a minimum aperture of f8.  It was a feature that set them apart and above the rest of the lineup, albeit only the center AF point worked.  Now Canon doesn’t manufacture any lenses that have such a small minimum aperture natively but there are plenty of ways to get there by using extenders.

The newly announced Canon EOS-1D X (their new flagship!) DOES NOT allow AF with f8 lenses.

This isn’t something that Canon mentioned anywhere on launch day as far as I could see, I’m sure it will be in the fine print of the manual eventually but it might make a difference to some people so I wanted to draw attention to it.  With the fancy new AF system that they are making so much fuss about I can’t wrap my head around why they would remove this feature from a camera!

Popular combinations that this will affect:

Canon 800mm f5.6 L IS + 1.4x Extender

Canon 70-200 f4  L IS + 2x Extender

Canon 500mm f4 L IS I & II + 2X Extender

Canon 600mm f4 L IS I & II + 2X Extender

Canon 400mm f4 DO IS + 2x Extender

Canon 300mm f4 L IS + 2x Extender

Canon 400mm f5.6 L + 1.4x Extender

 

Off the top of my head these are the combination that are going to be most affected.  In particular bird photographers use several of these combos to reach longer lengths at more reasonable price points.  Art Morris received this response from Canon’s Chuck Westerfall regarding this:

AF is unavailable on the EOS-1D X if the maximum aperture reported to the camera through the electronic lens mount is smaller than f/5.6. This is a lower specification than previous EOS-1 series DSLRs. On the plus side, consider the fact that with most f/4 lenses including the 400 DO, 500/4L IS and IS II, and 600/4L IS and IS II, you now have 41 cross-type AF points plus color and face detection, whereas you had no cross-type points and no color or face detection during AF with previous EOS-1 series DSLRs using the same lenses, not to mention a significantly wider AF coverage area from left to right.”

There’s no doubt that it will be nice to have 41 cross type sensors for f4 lenses, that will dramatically increase focus accuracy and tracking but Mr Westerfall doesn’t disclose a good reason for the downgrade in specification.

Canon 200-400 f4 L IS

I think this information also answers a question that many people were wandering about the upcoming 200-400 f4 L IS USM Extender 1.4x.  The yet to be released lens features a built in 1.4x extender which can be operated with the simple flick of a switch.  The fact that the optics are built into the lens and therefore optimized for that particular lens means that optically it’s likely to perform VERY well with the extender implemented, giving a good 560mm f5.6.  Many people were excited about the possibility of adding the new 1.xx MKIII extender to this lens to reach nearly 800mm but with presumably slightly less degradation in quality than a 2x extender would normally impart on a 400mm lens.

Given that this combination, with both internal and external 1.4x extenders would produce a minimum f8 aperture it will now not focus on any Canon DSLRs moving forwards.  We still don’t know if it would be physically possible to use the external 1.4x anyway but it’s now going to be a moot point for people who want to move to the 1D X anyway.

 

 

The long awaited successor to the EOS-1D Mark IV.  As predicted by many, the new EOS-1DX brings with it a full frame sensor, something which many pros have been asking for and something which Nikon have had for some time in the D3 and D3s.  It had been rumored that the camera would be an amalgamation of the 1D and 1Ds lines.  We can now confirm that the EOS-1Ds Mark III is discontinued.  I guess we might be seeing the EOS 5D MarkIII taking over the reigns more officially as the large megapixel camera in the lineup (when it gets announced that is…..)  This new camera really does seem to be heavily targeted at the sports photography market with features like 12/14 fps shooting and built in Ethernet cable.  Perfect for the upcoming Summer Olympic Games in London 2012.  The previous 5dMKII stole the majority of the 1Ds sales so it makes sense to merge 1d and 1ds now.

Important Specifications

  • Full Frame
  • 18.1MP
  • Dual DIGIC 5+
  • ISO 100-51200 Native
  • iso 102,400 and 204,800 available with H1/H2 iso expansion
  • 100,000 Pixel RGB Metering Sensor
  • EOS iSA (Intelligent Subject Analysis)
  • 61 Point AF
  • DUAL CF Cards slots
  • 21 f/5.6 Cross Type Sensors
  • 20 f/4 Cross Type Sensors
  • 5 f/2.8 Cross Type Senors
  • EOS iTR AF (Intelligent Tracking & Recognition Auto Focus)
  • 12 Frames Per Second
  • 14 Frames Per Second JPG Only
  • 400,000 Shot Rated Sensor
  • Ethernet Connection
  • March Availability, $6,800.00
  • Dual vibrating dust removers
    • MPEG-4 AVC/H.264
    • 1920×1080 30p/25p/24p
    • 1280×720 60p/50p
    • 640×480 30p/25p
    • SMTPE Timecode !!!

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Canon PowerShot S100 – key features:

  • High-sensitivity 12.1 Megapixel Canon CMOS (1/1.7 type)
  • HS System with powerful DIGIC 5
  • Ultra-wide 24mm, f/2.0, 5x zoom lens. Intelligent IS
  • Lens Control Ring, NR Control & RAW
  • GPS
  • Full HD, HDMI
  • Large 7.5 cm (3.0?) LCD
  • High-speed Burst HQ
  • Smart Auto, Multi-area WB
  • Optional Waterproof Case

 

London, UK, 15th September 2011 – Canon today announces the launch of the new PowerShot S100 – a powerful, versatile and highly compact camera offering photographers extensive control and leading image quality. The most advanced PowerShot S-series model to date, the PowerShot S100 surpasses the high standards set by its acclaimed predecessor, featuring a new f/2.0 Canon lens and an enhanced HS System, which combines an elite high-sensitivity sensor with the very latest in Canon processing technology – DIGIC 5.

Packed with upgrades, the PowerShot S100 marks a true step forward for the PowerShot S-series. Its 24mm ultra-wide angle, 5.0x optical zoom genuine Canon lens provides greater power and flexibility, and combines with Canon’s Intelligent Image Stabilizer (IS) system to deliver crisp, clear images in stills and movies. GPS functionality records the time and location of every shot, Full HD movie recording captures stunning video, and the powerful DIGIC 5 processor offers fast shooting speeds and even better image quality in all conditions. All of these new features also come in a super-slim body measuring just 26.7mm front-to-back, available in matte black and titanium silver variants.

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In the Fall of 2010 Canon announced the introduction of new MKIII extenders to replace the previous MKII versions.  Super Spectra coatings were introduced to help reduce ghosting and flare as well as fluorine coating to make water spots and finer prints easier to remove.  I’ve always fond the MKII extenders to be extremely useful when used in the right circumstances so I was eager to try out the MKIII versions to see if there was an improvement.

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