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Apple iPad for photographers. What use is it?

ipadA few days ago Apple announced that it has sold 1 million iPads in the device’s first month on sale.  Less than half the time it took the original iPhone to achieve the same feat.  Lots of photographers like a good gadget and many are users of other apple products already, but is there actually any practical use for one?

It seems as if the iPad might be the catalyst for a fundamental change in the way that we receive what was previously “printed” media.  The iBook store has sold 1.5 million books along with that first 1 million iPads and many of the largest magazine publishing companies have released iPad versions of their monthly magazines.  So far most of them have failed to really optimize these digital magazines and really take advantage of the possibilities, but i’m sure that it will come with time.  Many people were waiting to see how things took off before committing budgets to their development.  But what use can an iPad be to a working photographer right now? Continue reading ‘Apple iPad for photographers. What use is it?’

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Test driving Photoshop CS5’s Content aware fill

Adobe release Photoshop CS5 a couple of days ago and one of the most talked about features is the content aware fill tool.  I recorded a quick demo of it this morning with a couple of potential uses.  I don’t think its quite the “black magic” that it seemed to be when Adobe demonstrated it but it could be a time saver in some situations.  Just using the tool on its own though rarely does the job, it still needs considerable touching up with the healing tool and brushes but at least it can get you in the ball park pretty quickly.  If you want to try it out yourself head on over to the Adobe website and download a free 30 day trial.  I didnt have a chance to play with many other features but there seemed to be a slight speed increase and I also really like the mini Bridge module.


Adobe Photoshop CS5

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Creating a bootable external drive in OSX and why you should think about doing it.

usbleopardCatchy title huh?  This is a short post but one that I hope might help a few people out.  Firstly, if you are a PC user then i’m afraid I can’t help you with all the details, but at least read the first few paragraphs to find out why you might want to do this.  In the past 18 months I have had three hard drive failures, 2 in laptops and one in an external USB drive on my desk.  It happens and I hope by now we all know that.  I’m not going to preach on backing up your files, that’s for another time…..

A few times in the last few months I have found myself working in a location that is fairly remote.  No Apple store or computer parts store within a thousand miles, and not somewhere that gets any kind of speedy mail-order servicing either. So what would happen if one of my laptop hard drives had failed in one of those locations?  This is mostly relevant to photographers who travel a lot, and especially those who visit remote locations, but the solution is actually fairly simple and remarkably cheap.  A bootable external drive that can run Mac OSX is the answer.  It doesn’t even need to be a 2.5″ hard drive, you can actually boot to Snow Leopard directly off a USB keyring as long as its big enough!

Continue reading ‘Creating a bootable external drive in OSX and why you should think about doing it.’

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Snow Photos 101 – Long lens selection

Screen shot 2010-04-27 at 10.09.19 PMSo you’ve mastered you wide-angle lenses and medium telephoto zooms like the ubiquitous 70-200.  The next step is inevitably looking at longer lenses in the 300mm and up range.  Firstly, be prepared for your wallet to take a bit of a hit.  For the most part, once you start heading north of 200mm the price of lenses can take a bit of a jump for the higher quality ones.  I can’t cover every lens option but here’s a few thoughts on some of your options from the main two manufacturers.  During my years shooting skiing I have rarely needed a lens that goes much longer than 300mm.  Sometimes 400mm is good and a couple of times even longer.  But I would not say that for skiing and snowboarding photos you need a lens that is natively longer than 400mm.  If you need longer once a year, its best to use a teleconverter that time, than carry around unneeded range with you all the time.  Here are your main choices in order of ascending price……. Continue reading ‘Snow Photos 101 – Long lens selection’

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Nikon Announces the new 200-400mm F4 ED VRII

AF-S_NIKKOR_200-400mm_f4G_ED_VR_II_450Nikon has today announced a brand new version of their beautiful 200-400mm F4 zoom lens.  Everyone knows I shoot Canon, but I appreciate a good lens and this is one!  The original 200-400 was a highly regarded lens and this new version adds Nikons VRII image stabilization (equivalent to roughly 4 stops) and also the new Nano Crystal Coating that we have seen on their latest 300mm f2.8 lens. The new AF-S NIKKOR 200-400mm f/4G ED VR II lens weighs in at 7.4 lbs (3.4 kg), and it will retail for $6999.95 (USD) If I was a Nikon shooter this would be top of my list! Amazon is already taking pre orders for the lens HERE

Continue reading ‘Nikon Announces the new 200-400mm F4 ED VRII’

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Geotagging in Aperture 3

6a00d8341ce76f53ef012876db2b3a970c-800wiPicture 7This sort of follows on from the review I did a few days ago of the Gisteq PhotoTrackr.  I was not overly enamored with the software that came in the box with the PhotoTrackr but it did allow you to export the GPS track to a .gpx file and that meant you can upload it to other software.  With the introduction of Aperture 3.0, Apple added compatibility with geotagging to the popular photographic organizational tool.  The new “places” tool in Aperture 3 lets you sort and view your photos by location, and also lets you geotag your photos either by uploading a .gpx file from a third party tracking device or by syncing with information in your iPhone photos.  Continue reading ‘Geotagging in Aperture 3′

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Website & Server Outage

If you are a regular visitor to my site you will have noticed that it has been unavailable for the past 5 days or so.  The company that hosts my site had total server failure and as such, everything hosted on it was down while they copied the vast amounts of data over onto new servers.  If you have tried to send me an e-mail over this period, I will not have received it so please try again later today and things should be back to normal.  Thanks for your patience!

RSS Feed

I noticed in my website statistics that a large number of people unsubscribed from the RSS feed during the outage period, most likely because their reader was displaying an annoying error message when it could not retrieve my feed.  Please re-subscribe again so that the content can be delivered !

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News from NAB 2010

CP.2 on HDSLR CameraI know a lot of people who check out this blog are interested in video as well as photography, and especially in the current convergence between the two.  This years NAB (National Association of Broadcasters) show has just wrapped up, and even more than last year the buzz about the show was all about DSLR video technology.  There were many noteworthy announcements at the show but these are a couple that caught my attention.

Carl Zeiss Compact Primes II

Compact Prime CP.2 groupWhen major cine lens manufactures start producing a lineup specifically designed for shooting video with a DSLR the whole industry sits up and takes notice.  This was one of the most covered releases at NAB 2010, and rightfully so.  The new Compact Primes II lineup consists of 8 lenses available with a Canon EF mount,  designed to perfectly partner you DSLR camera on your next video project.  The lenses are available individually for about $3900 each or in sets of varying sizes that offer a reduction in price.  Availability is late May.

Important features include 14 blade apertures for beautiful bokeh, full frame coverage, 300 degree focus rotation, interchangeable EF and PL mounts and identical barrel dimensions right through the range of primes from the 18mm up to the 85mm.  For movie makers who have been putting up with using still camera lenses for 2 years, these will be a huge deal.  The 300mm focus rotation will allow much more accurate focus pulling and with all lenses being identically sized, you can easily switch lenses on your rig while maintaining the same matte box, or follow focus setup.

RED Epic 5k camera

112348-RedEpicRed finally unveiled a working version of the Epic 5k camera at a press conference during the show.  The Epic looks set to begin trickling out of the factory door in limited numbers very soon.  For more information on the camera check out the new Epic mini site. Hardly anyone has had any hands on time with the camera yet but nobody seems to doubt that this will be an incredibly impressive piece of kit.  The modular nature of the design means that it can be built in to a rig capable of shooting a hollywood blockbuster, or a lightweight setup capable of being packed into a tiny backpack.

Redrock Micro microRemote focus controller

microTape_ISORe14apr10oub235focusdrock Micro showed off a totally new focusing system at NAB consisting of a sonar range finder, focusing controllers and motors that allow you construct a remote follow focus with the option of sonar guided auto focus!  In its simplest form the microRemote allows for standard remote follow focus, but the real trick is when you insert an iPhone into the remote unit.  All of a sudden you have an interface that displays depth of field and current focus using software that contains calibration information for all of the most popular lenses!

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Gisteq PhotoTrackr review

phototrackr-mini-dpl900-1I’ve had a mild curiosity in geotagging for a while.  Years from now, i’ve always thought that it wold be very cool to know exactly where some of my photos were taken.  Especially my backcountry skiing photos where they are not necessarily taken near any recognizable landmarks.  As I travel more and more to other parts of the world too, it would be nice to look back at that in the future and see exactly where I was.

For Canon shooters you instantly run into a problem though.  So far Canon has refused to add geotagging to any of their cameras and they have also refused to add the ability for third-party developers to come up with their own solution.  Nikon users have it pretty easy by comparison with their G-P1. It connects directly to the camera and writes the GPS location of the photo straight into the metadata.  If you shoot Canon though you are going to need to do a little extra work and I was intrigued to find out how much effort it would be to integrate this into my current workflow, especially now that Apple have integrated geotagging into Aperture 3.0.  A bit of research led me to the Gisteq PhotoTrackr mini.

Continue reading ‘Gisteq PhotoTrackr review’

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Industry news for April

There has been a few announcements in the last week that are worth of note for photo and video people out there.  Here is a quick summary.

Adobe Creative Suite 5

cs5-box1Today Adobe announced the 5th version of their Creative Suite.  I will concentrate on Photoshop CS5 as that is the most relevant to most readers.

Notable new features:

  • Revised lens correction interface with specific profiles for different lenses.
  • Camera Raw updated to V6.0
  • Content aware fill. Check out the very impressive video demonstrating content aware fill HERE This feature looks like it could be a huge time saver in certain situations. Some of the things in the video defy explanation, possibly good ol’ fashion black magic??
  • Puppet warp tool . Check out the video demonstrating Puppet Warp HERE
  • New HDR capabilities (called “Merge to HDR Pro”) for tone mapping multiple exposure HDRs or single exposure HDRs with Raw files.
  • 64-bit support that will make great use of multi-core computers.
  • Apparently there is ” a host” of workflow improvements too but I dont have further information as to what they might be.
  • Estimated street price for Adobe Photoshop CS5 is US$699 and US$999 for Photoshop CS5 Extended.

Panasonic AG-AF100

AG-AF100_illust-New webAt the NAB trade show yesterday, Panasonic surprised a lot of people by announcing a new video camera based around their popular micro 4/3 still camera sensor. This is pretty big news in the video world!  It’s exactly the direction that people were hoping the big companies would move.  The camera will utilize the interchangeable lenses of the micro 4/3 cameras such as the Panasonic GF1.  The sensor is a little smaller then the canon DSLRs but its much bigger than current video camera sensors so it will produce something that comes close to the beautiful shallow depth of field that people have been going wild over with the Canon cameras.  You can see the full press release HERE.

This is the most important info right here :

“The AF100 incorporates a 4/3-inch, 16:9 MOS imager. The camcorder records 1080/60i, 50i, 30p, 25p and 24p (native) and 720/60p, 50p, 30p, 25p and 24p (native) in AVCHD’s highest-quality PH mode (maximum 24Mbps). Ready for global production standards, the camcorder is 60Hz and 50Hz switchable.

AG-AF100_2The AF100 maximizes the potential of its high-resolution imager with built-in ND filtering and dramatically reduced video aliasing. Standard professional interfaces include HD-SDI out, HDMI, time code recording, built-in stereo microphone and USB 2.0. The AF100 features two XLR inputs with +48V Phantom Power capability, 48-kHz/16-bit two-channel digital audio recording and supports LPCM/Dolby-AC3.”

Panasonic says that the camera will be available by the end of the year so they have announced it pretty early and so far no indication of price.  I’d bet that by the time we see this thing in the wild, we will have some more info on a Canon equivalent system too that most likely uses their 1.6 crop sensor.  It will be interesting to finally see a camera of this type that was actually designed to shoot video from the ground up!  No more having to attach a ton of accessories to it to get it to perform.  The video industry is in for some huge changes in the next 12 months.

New Zacuto Z-Finder Jr and Pro 2.5x

Z-FIND-PRO3-INSETMAIN-01A few weeks ago Zucuto announced new versions of their popular (but ridiculously overpriced) view finder for DSLRs.  The new Pro 2.5x features, as you might have guessed, 2.5x magnification instead of the 3x seen on the earlier version.  Both 2.5 and 3 will still be available, but many people , myself included, thought that the 3x was a little too much.  The image in the viewfinder was really very big.  Z-FIND-JR1They have also adapted the mounting method to include a new Gorilla Plate for ease of mounting more zacuto accessories.

For the budget minded they have introduced the Jr Z-Finder.  Though still priced pretty high at $265.  It features a 2.5x magnification and saves money by doing away with the diopter adjustment.

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All Content © Dan Carr 2008