10 New Years Resolutions for Photographers

Another year has passed by in a flash and there have been many developments in the photography world.  I achieved a lot of my personal goals for my photography in 2010 and I hope you all did too.  If you aren’t quite sure where to take your photography in 2011, here are some suggestions to help you on your way! 1. Learn to use your camera’s histogram If you don’t understand your camera’s histogram now is the perfect chance to learn about it.  By understanding what your histogram is trying to tell you, you’ll really begin to appreciate what the …

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My backup routine

All hard drives will fail with 100% certainty. The only question is when ? It could be after a week, or it could be three or four years, but because they are mechanical it is a certain event. If you are not keeping redundant backups of your photos then at some point it is guaranteed you will loose some of your photos. They might be some family holiday snaps with only sentimental value or they might be your best selling stock images with a residual value of $100,000s . Either way there are some simple precautions you can take to prevent this from happening.

Different sizes of photography business will benefit from slightly different routines. If you are running a huge photo studio with 10 employees working on projects constantly then check out Chase Jarvis’ site for info on that scenario. My business is relatively small in comparison because I do that majority of the work myself, shooting, archiving, editing and client delivery are all done from my workstation and most of the time done by me when I am around. So if you are a one-man-band then this will be a bit more suitable to your needs. There are plenty of other permutations on how to handle this but this is what works for me. I will go into specific downloading workflow and Lightroom work in future articles, this one is just concerned with backup.

Office scenario (when I am not traveling)

Used cards from the day’s shooting are stacked up on my desk in one pile. In turn I take each card and put them into my Sandisk card reader. I use Lightroom 3 to ingest the photos from the card and tag them with the necessary metadata for the shoot. I use the COPY command in the Lightroom import interface and this is VERY important. If you use the MOVE command then it will delete the files from the memory card after it has moved them to your hard drive. By using COPY I am creating a copy of the file on my drive, and the original shot still remains on the memory card for the moment. All the files from the card are copied onto my DROBO storage unit into a folder called “Photo Archive” where they are then put into another folder labeled with the year and then a further folder with the date in dd/mm/yyyy format. For every day of shooting then I have a separate folder. If you are not familiar with DROBO storage then I suggest a read of their website which contains extensive videos on their usage. Basically they are somewhat similar to RAID systems in that they make duplicates of your files so if one drive in the DROBO fails, the data is still available on another drive and you have not lost anything. So at this point I now effectively have two copies of the photos on the DROBO (because it creates duplicates automatically) and one copy still on the memory card.

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Pushing flash X-sync to the limit

For people that shoot fast moving action with strobes like myself, we are always worrying about sync speeds and flash durations.  Today I’m going to talk a little bit about flash sync and give a quick example of how you can push the boundaries of what can often seem like a very limiting factor with DSLRs.

One of the first questions people ask when they start experimenting with flash is “why does my camera not allow me to use a shutter speed higher than 1/xxx second?”  If you scan through the specifications of a camera you will see one called x-sync.  Typically listed as between 1/180 and 1/250 of a second, this is the fastest useable shutter speed of your camera when using flash. The best way to get to grips with it is to understand exactly what is happening in that split second after you press the shutter button.

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Quick video tip – Fast tilt

Everyone who shoots with DSLRs for video knows the problems with high speed panning, the dreaded “jello vision” or rolling-shutter effect. This is caused by the way the camera’s sensor records the information, top to bottom. As you pan, the image that the sensor starts to record at the top, is shifted slightly to one side by the time the sensor has finished recording the data at the bottom so the subjects appear to bend to one side. But this does not really effect your video if you want to perform a tilt at high speed because relative to the …

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Geotagging in Aperture 3

6a00d8341ce76f53ef012876db2b3a970c-800wiPicture 7This sort of follows on from the review I did a few days ago of the Gisteq PhotoTrackr. I was not overly enamored with the software that came in the box with the PhotoTrackr but it did allow you to export the GPS track to a .gpx file and that meant you can upload it to other software. With the introduction of Aperture 3.0, Apple added compatibility with geotagging to the popular photographic organizational tool. The new “places” tool in Aperture 3 lets you sort and view your photos by location, and also lets you geotag your photos either by uploading a .gpx file from a third party tracking device or by syncing with information in your iPhone photos.

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10 Things you will need to be a ski photographer

If you are looking to become a ski or snowboard photographer then get ready for a long shopping list of gear you are going to need. Every time I pack my gear for a trip I’m amazed at the amount of gear I have amassed over the last few years. Some of it is fairly specialized and only necessary for people that shoot full time for a living, and some of it I would recommend for everyone looking to get into the business. In no particular order here is my top ten list of things you will need to get …

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Snow Photos 101 – Part 3 – Introduction to flash photography

Flash photography can seem like something of a dark art to begin with. Pop-up, hot-shoe mounted, remote, fill and bounce; there are many ways a photographer can use flash to control the exposure and look of a photo. It is more complicated than ambient light photography so before you begin experimenting, make sure you have a good understanding of all the basics of exposure; shutter speed, aperture and ISO. In ski photography, flash is used in two key ways. Firstly, as a substitute for ambient light for instance shooting rails at night, or tree skiing on a cloudy day. And …

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Snow Photos 101 – Part 2 – Which Camera and Lenses Should I get?

Continuing on with my Snow photos 101 section, by far the most common question in my in-box is “what camera or lens should i get?”. You can view the equipment that I use HERE, but this doesn’t mean that you need all of this to make some great ski or snowboard photos. Lenses A professional ski photographer will own lenses that range from a 15mm fisheye all the way up to a 300mm telephoto lens. Different shooting situations require different setups and they aren’t necessarily all carried at the same time. By far my most used lens is my 70-200mm …

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Snow Photos 101 – Part 1 – Exposure basics & Composition

Readers of SBC Skier in Canada this year will have seen my series of ski photography tips. I have decided to put together a new section on my blog which initially starts off with the beginner tips featured in SBC Skier and then moves on further to more advanced information for readers looking for a a little more in-depth info. Every few weeks I will add a new section to the tips until I have covered the things that most people ask me about. Hopefully by the end there will be a good collection of information for people to reference. …

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External monitor use with the Canon 5dMKII, 7d and 1dmkIV

This post is sort of a prelude to a review that i’ll be writing in the next couple of weeks. Recently the folks at IKAN sent me one of there v5600 to test out while I have been shooting some video with my 7d and 5d. When I started to take down some notes I realized that there are a few things to be said about using external monitors with these cameras and some of them are characteristics of the cameras and therefore independent of the type of monitor you are using. I found myself trying to figure out what …

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Shooting video with the Canon 5dMKII – Part 3

When I decided I needed to get this video stuff dialed, I needed something to shoot. There’s no point trying to figure this all out unless you have a purpose and some footage to play with. Leigh Powis, a local skier from Whistler, told about his crazy plan to put a trampoline on top of a cliff to help him practice a few new tricks before the winter. This was the perfect chance to try filming some action AND some lifestyle. So below is my very first ever video with the 5dMKII. We shot it on 3 different days for …

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