Dan Carr

If you ever shoot a lot of still life or product photos then chances are you have looked at buying some sort of light tent or shed before.  They offer a quick solution for softening you strobes or continuous lights and they tend to pack down small enough that storage is no issue.  I was sent the Impact XL Digital Light Shed to take a look at and I’ve used similar products in the past to shoot images for product reviews or small products for catalogs.

This particular Light Shed has a lot of options and accessories to get you started all in one flat package.  The XL is 24x24x36″ but it’s also available in three smaller sizes.  Personally , given that they collapse anyway , I would recommend just going for the larger one right from the beginning.  The price difference in them is also pretty negligible.

 


Impact Digital Light Shed from B&H Photo Video on Vimeo.

What we are looking at here below is actually the removable base of the tent.  This is a nice feature as it allows you to put the tent over a nice textured piece of material or surface so you’re not bound by limitations of things you can fit inside the tent when choosing your base.  Unfortunately you can’t really use this wide opening to shoot through though as you have a zipper directly behind it.

You can really see that in this shot , even with the whole side removed the rest of the tent stays taught and solid

The front opening of the tent can be rolled back and uses hook and loop pads to keep it contained.  There is also a zippered slot in the middle of the door which you would use when shooting a very reflective object , to cut down on the reflection of you and the camera.

 

Inside the tent we have further options, it comes with both a black and a white removable backdrop that attaches into the rear top corners.  Make sure that you have a steam iron to hand though as this will need some serious ironing time to get it wrinkle free.  If you don’t want to use the material backdrops then you are also provided with a white plastic base that gives you a nice reflective surface for a bit of a different look.  According to the specification on the B&H page it should also come with a black plastic base as well.  Mine did not…. so check your package carefully once you have popped it open.

Plastic base included

Black and white back drops included

Using the plastic base (excuse the dust on the lens please !)

A I mentioned, I have used these sorts of products before.  What I loved about the Impact Shed was the sturdiness of the cube once it was erected.  Too many of them are simply too soft and floppy and don’t hold their shape.  This is not the case with this product though, even with the front flap open all sides stayed taught and flat and the cube kept its shape.  The full length zipper on the top of the shed is also an important feature that gets omitted from some similar products.  A lot of time when shooting products for catalogs you might not actually want the product to interact with a surface.  In this case you suspend it using fishing wire by hanging it from a book placed over the tent.  The zippered top makes it easy to hang things down from the top..

Considering this is just a touch over $60 it represents excellent value considering the size and accessories it comes with.  It’s certainly a step up from the flimsy Photek one that I last used.

B&H has a killer one day sale on today with Sandisk 32GB cards.  You can save up to $100 !  The 32GB Extreme Pro CF card is only $138, I’m definitely grabbing a couple myself to go with my 5D Mark 3.

 

 

 

This morning Think Tank have announced a new first of its kind camera bag.  The 4-Sight features 4 wheels on the base similar to many current carry on luggage bags, designed to make it even easier to get your gear through the airport.  The bag will begin shipping in May for a cost of $299 and readers of my site can as always receive a free gift when shopping through my links to Think Tank products.  The 4-Sight appears to be somewhat similar in size to the Airport Airstream which is my current roller bag of choice and will hold a couple of cameras and 3 or 4 lenses.  This time they are also including a cable tidy bag as well.  Interestingly the opening will swing to the side this time instead of downwards like all their other rollers and there appears to be no provision at all for carrying a laptop, assuming you have a separate shoulder bag.  Despite having 4 wheels though they have clearly made some weight savings in other areas as the 4-sight weighs in a little less than the Airstream does.

·         Internal Dimensions: 12.3” W x 16” H x 5–6.7” D (31.2 x 40.6 x 12.7–17 cm)
·         External Dimensions: 14” W x 19.5” H x 8” D (35.6 x 49.5 x 20.3 cm)
·         Weight: 7–8.9 lbs (3.2–4 kg)
·         MSRP:  $299.75 (U.S.)

 

The new Meizler module was teased a month or so back on RED’s website but at NAB the nearly finished product was on display.  At the RED booth it wasn’t possible to get up close to it but outside at the 3ality Technica booth they had one just sitting there all wired up and ready to play with.  It seems that not many people knew this and I only stumbled upon it in my final hours at the show.

So what’s this module all about then ?  Essentially it’s aim is to streamline your camera rig and remove a number of the additional boxes and adapters that necessarily hang off the side of most rigs on a big production.  You can pre-order soon for $13,000 and it should be shipping ‘this summer’.

What’s added ?

Internal trickery

  • Wireless video transmission in 1080p (this is not yet functioning in the module though according to Jarred Land or RED, it used the same technology that is in their stand alone wireless transmitter that was working on the stand).  You can view that module in my previous post.
  • Wireless timecode receiving.  Jam your timecode wirelessly from your sound guy.
  • Wireless audio receiver.  At the moment the only system that is confirmed to work with this is Zaxcom but apparently there are others.
  • Wireless lens control.  Currently compatible with Preston and 3ality controllers.  ARRI controllers are being worked on as well.

Physical ports

  • 1x 2B Lemo DSMC standard input power
  • 2x 2p 1B accessory power output
  • 1x 9p 1B Gig-E
  • 1x 10p 1B 232/422
  • 1x 4p 0B CAN
  • 1x HD-SDI video BNC
  • 1x genlock BNC
  • 1x timecode BNC
  • 1 x D-Tap output

What wasn’t immediately obvious to me when I saw the image on RED’s website was how the module extends out to the front of the camera.  As you can see in these profile shots it engulfs all of the rear connections on the brain and extends out to the front where three ports are positioned for focus, iris and zoom motors.  This almost certainly means that your current base plate will no longer provide the correct rod height so they will need to come up with a low profile plate system.  This is something that I only thought about when I was posting these pics and now that I look at it it seems that 3ality might have manufactured something to that nature already as you can see in the images above.

There is no way to add any other modules to the camera once the Meizler is added.  Here you can see the main bank of connections where the biggest disappointment is the lack of a second RED monitor/EVF port.  Still no way to use both the touch screen and the EVF at the same time, or two RED monitors.  If you want a second monitor and also need to pass a signal to video village then you’ll have to pass it through your on camera monitor as there is still just the one HD-SDI port as well.

Focus, iris and zoom motors plug into the front and audio cables can be wired through the base.

The left panel features a remote socket for wiring in the Redmote.

Lots of wireless going on here.  Whilst the module is apparently in use on several sets already I did have some issues with the receiving.  Standing only 1 or 2 feet from the camera occasionally the focus would now work with the remote.  Seems like there is still some bugs to be worked out but when they are, this will transform the ease of use of the Epic when it’s on a crane or being flown with a steadicam with your 1st AC working wirelessly. I think this will become a must-have accessory for larger Epic productions.

Works with Preston and 3ality controllers at the moment.  More manufacturers are planned in the future.

RED announced a barrage of new products at NAB last week, including the details of the much anticipated Dragon sensor upgrade.  For $6000, Epic owners will be able to upgrade their current sensors to a 6k sensor which will also offer improvements in dynamic range.

 

 

 

 

 

Lots of mount options out there now with Nikon and Leica having been added to the lineup.  I was able to briefly try out one of the first Leica mounts with a Noctilux 50mm lens one evening, it is quite bizarre to have such a small lens on such a big camera but to have the option at all is pretty neat.  Feature application is pretty limited due to the inability to add any kind of follow focus though but for hand held travel shooting it would be a lot of fun.

The Pro IO module is ‘shipping soon’ for $3750.  These are all the Is and Os on this one side, these are no more on the other side.  It’s quite bulky really and you’ll need to add a module adapter to it to allow you to put it onto the camera body as well as you can see in the next picture.

Continue reading »

Ok this was one of the coolest things that I saw at NAB last week.  Sony demoed a setup with 2 of their F65 4K cameras shooting a soccer match and outputting a stitched 8K wide image which could be used in HD production.  Very cool stuff.  Check it out on ProVideo Coalition.

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