Those of you who follow this blog will remember that a couple of weeks ago I sold my beloved 70-200 2.8 L IS lens.  The lens that has shot the majority of my ski photos for the last few years.  I replaced it with it’s smaller and lighter brother the 70-200 f4 L IS.  Having spent a couple of weeks using it now I thought I would confirm my initial suspicions. I LOVE this lens.  As I sold my old lens I have no way of doing any direct comparisons but if that’s what you want to see then check here.

At first I just couldn’t believe how small and light this thing felt compared to my old one.  It weighs 760g compared with the 1470g of the 2.8 version but it feels even lighter and is fully half the diameter.  The difference in the weight of my pack feels considerable and everything fits inside much better now since i don’t have to carry the frustratingly large hood for the 2.8.  Below is a shot taken with this lens just yesterday in Whistler along with a 100% crop of the skier in the shot (Riley Leboe).  Just take a quick look, it holds plenty of detail.  So far no regrets, I have also picked up an 85mm 1.8 lens to fill the short tele large aperture gap that I had by selling the 2.8 and i’ll put that to the test very soon too.  For now though, this is my new favorite lens!

Well as some of you know, I am originally from the UK.  For a country that doesn’t really have any skiing of it’s own, there is a large and talented ski scene there and several great magazines.  I often shoot stories for a magazine called Fall Line and this month I have an article about summer skiing in there with the added bonus of the cover photo too of rising UK star James Woods.

I think over the last 3 years, about 75% of the photos i have shot have been with the Canon 70-200 2.8 L IS.  So today I sold it.  Wait….what!??!  Yep, it’s gone.  You see I was thinking about it, when do I ever shoot that thing at 2.8?  I’m always outside and 2.8 is quite a narrow DOF to hit a moving target with when you are not using auto focus (I don’t like using AF).  The few times i did use it at wide’ish apertures where for portrait type stuff and then that was mostly at between 70mm and 90mm.  Any more than 100mm with a aperture of 2.8 and at a distance to get head and shoulder shots of something and you are looking at a very thin DOF again which i tend to find a bit too thin to get all of someones face in focus.  If i ever did shoot any lifestyle at longer lengths then i was stopping down to at least f6.4 or f7.1 to get every part of the person in focus.  The shot on the right for example of Charley Ager taken yesterday.  200mm on my 2.8 with f6.4 was just enough to get him tack sharp all over and blow the background out nicely to get those backlit snowflakes to show up.

Just over a year ago Canon announced the 70-200 f4 L IS.  Unbelievably they were tested by many of the leading websites and magazines and found to be even sharper than their f2.8 brother.  BUT they are half the weight, half the diameter and even an inch shorter.  For someone like me who is often skiing with a lot of gear on my back, any weight reduction is a blessing and as you may have guessed by now I have purchased one of these 70-200 f4 ISs. It was actually even $300 cheaper than my used f2.8 lens sold for so I have money in my pocket, 750g less weight on my back and an even sharper lens than i had before.  Actually what I am going to do with the $300 is buy an 85mm 1.8.  As I mentioned , when i did use my old lens wide open it was in that shorter range so the 85mm 1.8 will give me that option and being a prime not a zoom, will do it with even sharper results and also with a 1-stop advantage allowing me a very narrow DOF if i need it or ability to shoot in even lower light.  It was sad to see my old 2.8 go, it has been responsible for most of my favorite images and travelled with me faithfully for so long but i think this new combination just makes more sense for me.

Well those of us living up in BC have been waiting patiently for this all winter.  The snow has now been falling for a few days and today was probably the deepest day I have ever seen when i headed up with the Poorboyz crew with Charley Ager and Brandon Kelly as they shoot for their new movie Every Day Is a Saturday.  It made it almost impossible to make any headway with out sleds and even the tree skiing we shot was tough as the depth of the snow made it hard for the guys to keep momentum going!  It’s due to snow for the rest of the week too, looks like we will have a spring ski season after all…..

Charley Ager enters the whiteroom:

Charley and Brandon Kelly doubling up to the lines on the sleds:

This is a quick post but while the weather is bad here i’ve been working on learning some new skills.  I decided to learn how to make 360 degree sperical panoramas.  Here is a link to the first one that I tried out, click and drag with the mouse to view the room.  Created using 8 photos.  6 photos from left to right to make up 360 degrees , and then one photo straight up and one straight down.  Stitched together using a program called PTGui with a bit of time and patience…..  Shot with a Canon 5dMKII ( though the resolution if it is overkill, the full frame is important) and a Sigma 15mm fisheye.  You need to make a few modifications to your tripod setup though so the camera rotates around the lens’ nodal point (or no-parralax point depending on who you ask)

Always good to have new skills to fill in your spare time, you never know when this will come in handy.

Ok guys, you asked for it…..  I’m always getting people wandering about the gear I use so  without further delay here is part 1.  A quick video to show you my lighting kit in my Pelican 1610 case.  Below is also a list of whats in the case and some photos too. Bonus!

Whats in the bag – Part 1 – Lighting Case from Dan Carr on Vimeo.

In the case:

  • Elinchrom Ranger RX
  • Elinchrom Ranger “A” head
  • 4 x Nikon SB80DX
  • 4x Vivitar 285
  • 4X Pocketwizard Multimax
  • 4X Dual flash brackets
  • Umbrella holders, mini ballheads and other lightstand accessories
  • Many miles of cables and splitters and spares cables.
  • Gaffer tape and flash gels

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