May 182013
 

I ordered the Canon 200-400 F4 L IS the minute it was finally announced and as soon as my local store confirmed that it would be arriving in just a couple of weeks I set about grabbing a few necessary accessories for it.  Since it’s a $12,000 lens I don’t mind spending a few more dollars on a couple of things to protect it and ease its operations.  Let’s take a look at what is available for this exciting new lens:

Really Right Stuff LCF-53

LCF-53 on a Canon 200-400. Photo from RRS.

LCF-53 on a Canon 200-400. Photo from RRS.

This is a replacement foot for the lens that included the Arca Swiss standard dovetail on the bottom of it.  All my support equipment is from Really Right Stuff and all of my cameras and larger lenses have their quick release plates attached.  Since Canon have taken to including two swappable feet for their latest MKII Super Telephoto lenses, it has made it possible for RRS to manufacture an entire foot with the dovetail built into it, rather than a plate to screw onto the bottom.  This adds to the cost a little bit but the weight and bulk saving is significant and at $110 it’s still a small price to pay for the ease of connection to both my tripod and my gimbal head.  The LCF-53 works with the new 200-400 as well as all of Canon’s MKII Teles (300,400,500,600).

LensCoat TravelCoat

LensCoat make neoprene sleeves and protection for just about any camera or lens you can think of.  For traveling with big lenses I like their TravelCoat as it gives me far more opportunities when I pack.  The lens is protected from scratches so I don’t necessarily have to put it in a camera bag that gives it its own compartment.  Sometimes I take all the dividers out of a bag and just pack everything in.  Sounds mad, but you can fit way more in when you aren’t forced to use the compartmentalized nature of most bags.  The TravelCoat is only $64.99 and is designed specifically for each lens.  Many colors and camo patterns are available.\

Canon 200-400 TravelCoat

Canon 200-400 TravelCoat

 LesCoat Hoodie

It used to be the case that Canon’s big white lenses came with huge clumsy lens covers and the LensCoat Hoodie was a good replacement that partnered perfectly with the TravelCoat.  The newer lenses come with a significantly smaller protective cap though so I don’t consider this such a useful accessory anymore but I include it here since some people might want to get the matching one to go with their TravelCoat.  It simply slips over the lens hood and contains a hard plastic disc inside it to protect the glass.  For the 200-400 you’ll want to get the XXL version.

HoodieDC

Think Tank Hydrophobia 300-600 V2

I already own this but it’s got to be mentioned as it’s by far the best long lens rain cover I’ve ever come across.  Sometimes you just have to keep on shooting, whatever the weather, and then that happens I want my gear to have all the protection it can have. The Hydrophobi1 300-600 V2 is awesome and leaves all the controls of your camera right at your fingertips through the hand holes on the sides. $160 will get you one of these and it’s worth every penny.

Hydrophobia-300600-V20-5

LensCoat Lens Covers

Custom designed for each lens, the LensCoat covers are standard issue amongst wildlife photographers to protect their big lenses and also camouflage them from their intended subject.  LensCoat have their Canon 200-400 covers designed and waiting for the lenses to ship.

lc200400m4

Aquatech Soft Hood

Travel with big lenses is always a little tough with today’s ever-shrinking carry-on limits.  The lens hoods on large lenses take up a large amount of space in your bag and it’s tempting to leave the hood in your luggage.  The hoods are made from carbon through and they can crack quite easily so this is not recommended at all!  They are also extremely expensive to replace.  Australian company Aquatech came up with an ingenious solution though in the Soft Hood.  This can flat pack in your bag without fear of damage and the stiffened ribs in the design give it plenty of strength when it’s attached to the lens.  You’ll have no trouble standing the lens up as you normally would with a regular lens hood.

shade_5

 

May 132013
 

121025_9120a_dancarrI’ve honestly lost track of how many times I have written about this lens.  That wouldn’t be that unusual apart from the fact that this lens had not even been officially announced yet, let alone available to purchase! A couple of years ago (or maybe even three?)  Canon put a development announcement out there and showed the world the first concept, a super tele zoom with a built in converter.  Why would they do this you might ask ?  They don’t normally do things like that.  Well Nikon have had a 200-400 f4 for an eternity, maybe even ten years.  It is by far their most popular wildlife photography lens and it also has a big following with sports shooters as well.  In fact many Canon shooter (wildlife ones in particular) switched to Nikon just to have that lens.  Andy Biggs is a good example.  So Canon decided to let everyone know a long time ago that they heard the cries, a lens was coming, and it had a trick up its sleeve…..

The 200-400 F4 L IS 1.4x is the first Canon lens to have a built in teleconverter.  That means that the optics in the 1.4x converter are optically matched to that lens.  In other words, engaging the converter to get to a 560mm lens should yield little to no disturbance of image quality.  Effectively this is a 200-560mm lens.

Now let’s not beat around the bush though, this is a $12,000 lens ! I’ll give you a second to clean up that coffee that you just spat all over your computer screen………

Who would order such a lens?  I just did and I’m sure that many others will do the same thing.  The days when prime lenses were needed to get the ultimate sharpness out of a lens are gone.  The Canon 24-70 f2.8 L II is testament to that, it is sharper than my 24mm f1.4 L II.  So having a lens that can go from 200 all the way to 560 without having to change lenses or attache converters is a great proposition.  It allows you to capture several very different looking images in just a split second.

I’ve had the lens in my hands before and you can read about that HERE

I’ll be using this lens to replace my 300mm f2.8 L IS. I often used a 1.4x converter with that lens and this 200-400 will mean I never have to waste time doing that , plus at the flick of a switch I’ll actually have a longer lens for some upcoming wildlife stuff I’m doing this summer.

Top view of the new Canon 200-400 f4 L IS

Top view of the new Canon 200-400 f4 L IS

Pre-Order

B&H – Canon 200-400 F4 L IS

Amazon – Canon 200-400 F4 L IS

Press Release

London, UK, 14 May 2013 – Canon today adds a new category to its range of high-performance super-telephoto lenses, with the introduction of the EF 200-400mm f/4L IS USM Extender 1.4x to Canon’s acclaimed L-series. The EF 200-400mm f/4L IS USM Extender 1.4x features a flexible 200-400mm focal range with a fixed f/4 aperture, 4-stop optical Image Stabilizer and for the first time in a commercially available lens, a built-in 1.4x extender. These features combine to provide an outstandingly versatile lens for professional sports or wildlife photographers. A robust magnesium alloy design, environmental protection and specialised lens coatings also make it ideal for mobile use, combining with the finest quality optics to deliver exceptional results, even in the harshest conditions.

Get closer to the action with superior image quality

The reach of the EF 200-400mm f/4L IS USM Extender 1.4x is boosted by its internal 1.4x extender, which is engaged or disengaged at the flick of a lever to provide an extended focal length of 280mm to 560mm – allowing photographers to get even closer to distant action. Ensuring the highest image performance, the optical design includes both fluorite and Ultra-low Dispersion (UD) lens elements, which help minimise chromatic aberration and eliminate colour blurring. Advanced anti-reflection SubWavelength Structure Coating (SWC) and Super Spectra Coating also reduce ghosting and flare. Thanks to the use of the latest optical technologies, image performance is unaffected when the integrated extender is used.

With a constant f/4 aperture the use of high shutter speeds to capture fast-paced action or a low-light scene is possible. A newly designed optical Image Stabilizer, which provides users with a four stop advantage, while IS ‘Mode 3’ applies image stabilisation only at the time of exposure – ensuring that photographers can pan with fast-paced action without IS overcompensating for movement. This feature is ideal for sports photographers, who typically have only a split-second to capture a subject in front of them.

Powerful, flexible focusing

The EF 200-400mm f/4L IS USM Extender 1.4x features Canon’s pioneering ring-type Ultrasonic Motor providing fast, silent autofocusing. For those who prefer to fine-tune focus themselves, full-time manual override allows photographers to manually focus at any moment when using AF. The Power Focus (PF) mode also increases versatility during movie shooting with the EOS-1D C or EOS-1D X, enabling photographers to achieve an accurate pull-focus effect at one of two speeds, simply by twisting the focus recall ring and stopping at a pre-set distance.

High-performance design for professional demands

Designed to answer professional demands for superior image quality and versatile zoom range, the EF 200-400mm f/4L IS USM Extender 1.4x a boasts a premium-quality design befitting Canon’s industry-renowned L-series lenses.

The tough magnesium alloy chassis ensures that, despite the inclusion of the 1.4x extender, the lens is a similar weight to lenses of comparable focal length. Fluorine coatings on the front and rear lens elements also reduce the ability of dirt to cling to the lens surface, while a dust and water-resistant construction allows photographers to shoot in challenging weather conditions. The combination of outstanding optical performance, versatility, weight and tough construction will make it an essential part of any professional sports or wildlife photographer’s kitbag.

EF 200-400mm f/4L IS USM Extender 1.4x key features

  • Built-in 1.4x extender, for extra magnification when you need it
  • Shoot in low light with four-stop Image Stabilizer
  • High image quality using Fluorite lens elements
  • Fast AF with USM technology
  • Robust design for use in the toughest environments
Apr 302013
 

Canon_5dmk3_backCanon have released firmware update 1.2.1 today for the 5DMK3 which is one of the most comprehensive firmware feature additions ever seen for a Canon camera.  You can download it HERE.

 

 

 

 

Here is a list of the changes made with this firmware:

  1. Uncompressed HDMI output is now enabled.
  2. Enables the centre AF point to autofocus when the camera is used with Canon EF lens/extender combinations whose combined maximum aperture is f/8.
  3. Improves the speed of the camera’s acquisition of focus when using a Canon Speedlite’s AF-assist beam.
  4. Fixes a phenomenon in which the LCD monitor may freeze and display ‘Err 70’ or ‘Err 80’ when a still photo is taken during Live View or in movie shooting mode.
  5. Fixes a phenomenon that may occur when the continuous shooting priority setting is enabled for multiple exposures, such that, after the sixth image is taken, there is a slight pause before the remainder of the sequence is completed.
  6. Fixes a phenomenon in which the viewfinder display shows incorrect information during AEB shooting.
  7. Communication with the WFT-E7 Wireless File Transmitter has been improved.
  8. When images have been successfully transferred with the WFT-E7 Wireless File Transmitter through the FTP protocol an ‘O’ will be displayed. When images have not been successfully transferred with the WFT-E7 Wireless File Transmitter through the FTP protocol, an ‘X’ will be displayed.
  9. Fixes a phenomenon in which the camera may not function properly when an Eye-Fi card is used.
  10. Fixes a phenomenon in which the focal length value listed in the Exif information is not displayed correctly for images shot with the EF24-70mm f/4L IS USM lens.
  11. Fixes a phenomenon in which the lens firmware cannot be updated properly.
  12. Corrects errors in the Arabic language menu.
  13. Fixes a phenomenon in which the camera changes the AF microadjustment value to -8.
  14. The lens compensation data for the EF24-70mm f/4L IS USM lens has been added.
  15. Fixes a phenomenon in which the on-screen guidance cannot be fully displayed when setting the maximum limit value for the ‘Setting the ISO Speed Range for Auto ISO’ option.

Of course the big news here is uncompressed output from the HDMI port as this allows film makers to plug in external recording devices and record to other formats directly like ProRes or DNXHD in a much less compressed way then you can create files in camera.  Video recording quality should be vastly improved with this.Also important is that the HDMI output AND the LCD can be used simlutaneously so that you can frame through the LCD and still be recording or viewing a second monitor from the HDMI feed.  This is also BIG news for people that just want to feed a video village from the camera and it’s not something that Canon has really mentioned but I have tested it myself right now and it works as there is a new option for ‘mirroring’ in the menu system.

For wildlife photographers, or other that require long combinations of lenses and extenders, the AF system has been updated to work with lenses that feature a minimum aperture of f/8.  For example the 400m f4 DO with a 2x extender.

 

Apr 062013
 

NABshow_logoThat time if year is upon us again when the video community shifts their focus to Las Vegas for the annual NAB trade show.  I’ll be in attendance to keep an eye on new developments in the industry as well as do some research for some upcoming projects.  You guys know I’m always a fan of using the cutting edge equipment to it’s nice to get your hands on it all in one place.  I’ll post up plenty of updates throughout the week and in the next few days as the major players begin to announce their new gear.  I’m also attending a conference on Digital Publishing to further my knowledge on what appears to be a rapidly expanding industry.

If you missed it earlier, Canon has already shown their cards by launching new pro level mini HD cameras with HD-HDI output and 1080/60 recording as well as a new lens and updates to the Cinema EOS cameras.

Apr 052013
 

Last year at Photo Plus Expo in New York I came across a surprise as I was walking across the show floor to the Think Tank Photo booth.  Attached to the side of their booth was a small table and a new banner; Mindshift Gear.  I’m a big fan of Think Tank’s stuff, you guys have probably read a review or three on here in the past but whilst they make the best roller bags and sports/event photography gear in the business they have never produced a bag that suits my main needs as an outdoor and adventure sports photographer.  Mindshift is changing all that right now and is an entirely new company formed from within the design studios of Think Tank Photo that will concentrate on the outdoor photography market. Their first bag was launched as a Kickstarter project and raised more than $130,000 in backing when the goal was just $30,000.  That first bag, the Rotation 180 Pro, is now shipping to all those who backed it on Kickstarter and I’m lucky to be one of the first to receive one and the first to show it to all of you in detail.

The Rotation 180 Pro – Features, Design & Build

The R180 Pro is so chock full of intricate little features and details that photos and video are the best way for me to show these to you.  This is a unique outdoor photography pack that divides the available space into two sections.  The top half can be used either for your ‘other’ gear such as clothing food, stove, shelter or first aid kit, or with the addition of the optional camera insert it can also be used to store cameea equipment.  This top section can be accessed via a zippered back panel, or from the top of the bag.  The bottom half of the bag is the R180 Pro’s secret sauce.  An ingenious magnetic clip on the side of the bag can be released, at which point the hatch cover springs open and the entire bottom half of the bag can be rotated around to the front to provide you with access to your camera gear (see video below).  This belt pack section can be easily pushed back into the pack and the magnetic latch closed to secure it, all with only one hand.  The belt pack can also be worn on it’s own for lightweight missions or climbing purposes.  On top of this, the pack features more other features than I think I’ve ever seen on a camera bag and I’ll cover every little detail with the images and video below.

 

_JC_4440.CR2

Continue reading »

Apr 052013
 

For a few days now Vincent Laforet has been teasing a new ‘revolutionary’ product.  That product has just been unveiled and he was NOT kidding.  M?VI is a hand held camera stabilization rig that will simply blow your mind.   I could babble on for a long time about the thing you could use this for , and the other products that might well become redundant with this invention, but it’s best if you just watch the videos.  Watch the first one , then pick your jaw up off the floor and watch the next ones.

It sounds like the M10, which supports 10lbs will be available soon for $15,000 or thereabouts.  Once that is under way Freefly Cinema will begin production of a smaller M5 that will support a DSLR solution and cost around $7500.  Expect the price to be upgradeable as you add all manner of remote controls…..

M?VI in Action (Quick Video) from Vincent Laforet on Vimeo.

M?VI from Vincent Laforet on Vimeo.

M?VI BTS from Vincent Laforet on Vimeo.

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