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The ergonomic difficulties associated with HDSLR movie making is something we take as a given. We accept it without much complaint because the end results can be well worth the trouble it takes to put together an HDSLR rig that suits your needs. Cameras like the Canon 5dMKII and 7d were not intended to be …
Fans and users of the Canon 5dMKII will probably remember Tramm Hudson’s incredible firmware update that he created LONG before Canon did to allow for various additional features like audio meters, zebra stripes and a feature to disable the auto audio gain. Well ever since Canon’s own 24p firmware update that also included manual audio …
Ok lets have some fun this week! What would you like to see from Canon in the 5d MKIII ? I asked myself this question and this is what I came up with. There’s no doubt that the 5D MKII was a revolutionary camera both in terms of it’s video capabilities and also it’s full …
The Canon 70-300 f4-5.6 L IS was announced in September 2010 and made it to stores at the beginning of November. There already exists two 70-300s in the Canon lineup but neither of them have ever been showered with praise. The previous 70-300 f4.5-5.6 DO IS lens was incredibly small due to its difractive optics …
Last week I wrote about my experiences with the Leica X1. While I was down in Vancouver I also had the opportunity to have a more extended test period with the Leica M9. 50mm Summicron on the left with a 35mm Summilux on the M9 First a bit of a history lesson. The M7 and …
The X1 was launched by Leica alongside the M9 back in September 2009 and a new all black version was displayed at Photokina this year, set to ship within the next month. For those unfamiliar with this camera there are a few stand out features that immediately set this camera apart from other compacts. Firstly …
Let’s face it, we all spend more time at our computers than we want to these days. With digital camera manufacturers pushing megapixel and file sizes higher and higher, and HD video becoming the norm, we are constantly in need of more hard drives. On top of a need for reliable storage space I’m always …
For people that shoot fast moving action with strobes like myself, we are always worrying about sync speeds and flash durations. Today I’m going to talk a little bit about flash sync and give a quick example of how you can push the boundaries of what can often seem like a very limiting factor with …
For serious video shooting with a DSLR you need to have a separate viewfinder that magnifies the image on your LCD. Not only do they keep the sun from your screen to aid your framing and composition but they also allow you to accurately focus with the very narrow DOF that comes from shooting with …
Hot on the heels of Canon’s 60D announcement, Nikon has today revealed the successor to the popular D90 consumer DSLR, the D7000. Both of these cameras have made some considerable improvements on their predecessors and consumers these days are really starting to see higher end features trickle down into the lower end bodies. Last week …
For the last three years I have been using the Elinchrom Ranger RX for the majority of my strobed work. Sometimes I use some Nikon speedlights for fill, but the Ranger is my key light. I have used it in the rain, in blizzards, in -32 degrees Celsius and it has traveled around the world …
The 70-200 lens is a staple in most pro photographer’s diet. The photographic possibilities with that focal are wide ranging and Canon has a 70-200 to suit almost everyone’s needs, 4 different versions in fact. The previous image stabilized version was brought out in 2001 and quickly became the new standard for such lenses. In …