This morning Think Tank have announced a new first of its kind camera bag.  The 4-Sight features 4 wheels on the base similar to many current carry on luggage bags, designed to make it even easier to get your gear through the airport.  The bag will begin shipping in May for a cost of $299 and readers of my site can as always receive a free gift when shopping through my links to Think Tank products.  The 4-Sight appears to be somewhat similar in size to the Airport Airstream which is my current roller bag of choice and will hold a couple of cameras and 3 or 4 lenses.  This time they are also including a cable tidy bag as well.  Interestingly the opening will swing to the side this time instead of downwards like all their other rollers and there appears to be no provision at all for carrying a laptop, assuming you have a separate shoulder bag.  Despite having 4 wheels though they have clearly made some weight savings in other areas as the 4-sight weighs in a little less than the Airstream does.

·         Internal Dimensions: 12.3” W x 16” H x 5–6.7” D (31.2 x 40.6 x 12.7–17 cm)
·         External Dimensions: 14” W x 19.5” H x 8” D (35.6 x 49.5 x 20.3 cm)
·         Weight: 7–8.9 lbs (3.2–4 kg)
·         MSRP:  $299.75 (U.S.)

 

The new Meizler module was teased a month or so back on RED’s website but at NAB the nearly finished product was on display.  At the RED booth it wasn’t possible to get up close to it but outside at the 3ality Technica booth they had one just sitting there all wired up and ready to play with.  It seems that not many people knew this and I only stumbled upon it in my final hours at the show.

So what’s this module all about then ?  Essentially it’s aim is to streamline your camera rig and remove a number of the additional boxes and adapters that necessarily hang off the side of most rigs on a big production.  You can pre-order soon for $13,000 and it should be shipping ‘this summer’.

What’s added ?

Internal trickery

  • Wireless video transmission in 1080p (this is not yet functioning in the module though according to Jarred Land or RED, it used the same technology that is in their stand alone wireless transmitter that was working on the stand).  You can view that module in my previous post.
  • Wireless timecode receiving.  Jam your timecode wirelessly from your sound guy.
  • Wireless audio receiver.  At the moment the only system that is confirmed to work with this is Zaxcom but apparently there are others.
  • Wireless lens control.  Currently compatible with Preston and 3ality controllers.  ARRI controllers are being worked on as well.

Physical ports

  • 1x 2B Lemo DSMC standard input power
  • 2x 2p 1B accessory power output
  • 1x 9p 1B Gig-E
  • 1x 10p 1B 232/422
  • 1x 4p 0B CAN
  • 1x HD-SDI video BNC
  • 1x genlock BNC
  • 1x timecode BNC
  • 1 x D-Tap output

What wasn’t immediately obvious to me when I saw the image on RED’s website was how the module extends out to the front of the camera.  As you can see in these profile shots it engulfs all of the rear connections on the brain and extends out to the front where three ports are positioned for focus, iris and zoom motors.  This almost certainly means that your current base plate will no longer provide the correct rod height so they will need to come up with a low profile plate system.  This is something that I only thought about when I was posting these pics and now that I look at it it seems that 3ality might have manufactured something to that nature already as you can see in the images above.

There is no way to add any other modules to the camera once the Meizler is added.  Here you can see the main bank of connections where the biggest disappointment is the lack of a second RED monitor/EVF port.  Still no way to use both the touch screen and the EVF at the same time, or two RED monitors.  If you want a second monitor and also need to pass a signal to video village then you’ll have to pass it through your on camera monitor as there is still just the one HD-SDI port as well.

Focus, iris and zoom motors plug into the front and audio cables can be wired through the base.

The left panel features a remote socket for wiring in the Redmote.

Lots of wireless going on here.  Whilst the module is apparently in use on several sets already I did have some issues with the receiving.  Standing only 1 or 2 feet from the camera occasionally the focus would now work with the remote.  Seems like there is still some bugs to be worked out but when they are, this will transform the ease of use of the Epic when it’s on a crane or being flown with a steadicam with your 1st AC working wirelessly. I think this will become a must-have accessory for larger Epic productions.

Works with Preston and 3ality controllers at the moment.  More manufacturers are planned in the future.

RED announced a barrage of new products at NAB last week, including the details of the much anticipated Dragon sensor upgrade.  For $6000, Epic owners will be able to upgrade their current sensors to a 6k sensor which will also offer improvements in dynamic range.

 

 

 

 

 

Lots of mount options out there now with Nikon and Leica having been added to the lineup.  I was able to briefly try out one of the first Leica mounts with a Noctilux 50mm lens one evening, it is quite bizarre to have such a small lens on such a big camera but to have the option at all is pretty neat.  Feature application is pretty limited due to the inability to add any kind of follow focus though but for hand held travel shooting it would be a lot of fun.

The Pro IO module is ‘shipping soon’ for $3750.  These are all the Is and Os on this one side, these are no more on the other side.  It’s quite bulky really and you’ll need to add a module adapter to it to allow you to put it onto the camera body as well as you can see in the next picture.

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Ok this was one of the coolest things that I saw at NAB last week.  Sony demoed a setup with 2 of their F65 4K cameras shooting a soccer match and outputting a stitched 8K wide image which could be used in HD production.  Very cool stuff.  Check it out on ProVideo Coalition.

I’ve just got back from Las Vegas where I spent a few days hanging out with some friends and checking out all the latest HDSLR and video production gear.  NAB brings in around 100,000 people from all around the world and all the major players in the production industry show up to show off their latest and greatest hardware and software.  Over on ProPhoto Coalition I’ve written up a run down of some of my favorite DSLR related gear that I found at the show.  It’s almost impossible to see everything though, and only a tiny proportion relates to DSLRs but there is some cool stuff nonetheless.

Head on over to PPC for my wrap up.

In the week proceeding the 2012 NAB show in Las Vegas, Canon have unveiled two brand new Cinema EOS cameras that take their new line right into the world of 4k video capture.  The C500 will build on the platform that the C300 launched on back in November 2011 but offer RAW 4k recording via 3G HD-SDI output and up to 120fps at 10 bit and 60fps at 12 bit. Back then I interviewed one of the technical developers from Canon and it was immediately obvious that this was just the beginning for them.  I don’t think that anyone would have expected them to push forwards with these developments quite so quickly though.

As well as the C500, Canon have also revealed the specification for the “4k DSLR” that was announced as in-development back in November.  Identical in looks to the EOS-1D X, the new EOS-1D C adds the ability to shoot up to 4K video to the on board CF cards but maintains all of the impressive photo specification of the 1D X.  With this Canon have created the ultimate multimedia imaging tool.  The ability to shoot RAW 18MP images up to 12fps AND shoot 4K video on a sensor larger than super 35mm sized is simply unparalleled in any other camera though the projected $15,000 price tag will keep it sadly out of the hands of many people.

 

Critical Specs

C500

  • 12-bit RGB 4:4:4 signal during 2K (2,048 x 1,080 pixels)
  • EF & PL Mount versions
  • 120fps in 10bit
  • up to 60fps in 12bit
  • Downsampled slow motion footage NOT cropped like REDs. Amen!!
  • Proxy file recording on CF card while RAW recorded externally!
  • Almost identical form factor to C300
  • 3G HD-SDI for RAW external 4K recording.
  • All other features as with the C300 such as built in ND filters etc.
  • No side handle like the C300 , replaced with the 3G HD-SDI ports
  • Same EVF and screen as C300
  • Target price $30,000

EOS-1D C

  • 8-bit 4K Motion JPEG (4096 x 2160 pixel) at 24P and 1080P at 24,25,30,50 and 60P
  • Simultaneous HDMI output and LCD usage
  • Built in headphone jack
  • Canon Log Gamma
  • Uncompressed YCbCr 4:2:2 signal from HDMI
  • Unlimited record time on video
  • Dual CF cards
  • Dedicated Canon software package to enable 4k video playback and monitoring
  • Same ISO performance as EOS-1D X
  • Super 35mm crop mode
  • 18MP full frame sensor
  • Still images up to 14fps (12fps in RAW)
  • 61 Point AF system
  • Target price $15,000

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