Jul 172012
 

Another M4/3 camera has joined the fray today from Panasonic.  Those hoping to see some modicum of weather sealing to match the new Lumix X lenses will be disappointed though.  So it remains then that if you shoot Panasonic you can only weather seal the lens and not the camera which is very odd.  I guess they are saving that for a GH-3 which we might see at Photokina, in the mean time though everyone is going out and buying an Olympus O-MD E-M5 instead.

The standout feature in this announcement for me though is the fact that it can shoot full 1080p at 60fps.  None of Canon’s DSLRs can achieve that, even their $15000 C300 can’t manage it so kudos to Panasonic in that regard.

Key Features

  • 16MP Sensor
  • 1080p Video at 60fps
  • 1.4 million dot EVF
  • 920,000 dot LCD
  • 6fps Still image shooting
  • HDR mode

Pre-Orders

B&H has the G5 up for pre-order already

Amazon pre-orders are here now as well

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Press Release

July 18, 2012 (Secaucus, NJ) – Panasonic today announced a new addition to the popular line of LUMIX G series cameras, the LUMIX DMC-G5.  The newest Digital Single Lens Mirrorless camera offering from Panasonic, the LUMIX G5, features a newly integrated 16.05-megapixel Live MOS sensor and redesigned Venus Engine to render clear, crisp images in both photo and video recording. Featuring a compact, lightweight body with built-in flash, the LUMIX G5 boasts ultra-high mobility while offering users powerful camera performance which achieves spectacular image quality, realizing true-to-life photo details through excellent resolution, image rendering and color production.

The LUMIX G5’s high-grade lens and precision AF (Auto Focus) achieves high resolution, optimal balance of resolution and noise reduction to produce lifelike image rendering and high precision auto exposure and white balance for faithful color reproduction. A redesigned Venus Engine features exceptionally advanced signal processing capabilities, producing clear, crisp images in both photo and video recording. The 3DNR detects smooth areas or edges in photos and adjusts the strength of noise reduction (stronger for smooth portion, milder for edge portion) to maintain object descriptiveness. The Multi-process NR quickly detects brightness in each part of a picture and applies optimal noise reduction in multiple steps. The newly incorporated HDR (High Dynamic Range) allows for several pictures consecutively shot at different exposure levels to be overlaid, producing a single composite picture to eliminate over-exposure or under-exposure.

Like all cameras in the LUMIX G series, the LUMIX G5 adopts Contrast AF (Auto Focus), so focusing is controlled by the image sensor.  Compared with the Phase difference system AF, Contrast AF boasts higher accuracy, especially when shooting with a bright lens with small F values. To further advance the Contrast AF, the G5 incorporates full-area Touch AF, making it possible to set the focus on any point in the field of view. Additionally, ultra high-speed Light Speed AF, quickly locks onto a subject, making it possible to capture even fast moving subjects clearly.  Combined with Touch AF control and high-speed burst shooting at six frames per second in 16.05-megapixel full resolution, it has never been easier to capture fast-moving objects clearly.

The LUMIX G5 offers users simple operation controls with minimal stress, so users can concentrate on shooting.  A newly added function lever conveniently located near the shutter release allows for direct adjustment of zoom*1, exposure or aperture*2 control and can be used to magnify images in playback mode and page flip in menu mode.  Additionally, the combination use of the function lever and turn-and-push rear dial allows users to adjust major shooting settings, accelerating the camera’s simple, intuitive operation.

The LUMIX G5’s large, bright 1,440,000-dot equivalent LVF (Live View Finder) retains outstanding viewability and features approximately 100% field of view. Suppressing color breakup, the LVF assures stunning image view for any subject or scene. The LVF is newly designed to integrate an eye sensor for the LUMIX G5, which allows image output between the LVF and LCD screen to be switched automatically with the eye sensor on the LVF (which features optional sensitivity of high, low and off). Additionally Eye Sensor AF (Auto Focus) automatically starts focusing when the photographer looks into the EVF to capture spur-of-the-moment shooting opportunities.

A large, 920,000-dot high resolution LCD screen with wide-viewing angle rotates 180 degrees to the side, tilts 270 degrees up and down and offers approximately 100% field of view. Touch screen operation on the LCD screen allows for simple shooting or playback of images and the new Touch Pad function enables the use of both LVF and LCD simultaneously, which encourages more intuitive shooting. Lag time of image output has been minimized by approximately 18% compared to the LUMIX G5’s predecessor, the LUMIX G3, making it easier to monitor fast-moving subjects. The Level Gauge give the camera the ability to automatically detect the horizontal or vertical angle of view so that photos shot in a portrait aspect will automatically be displayed vertically, no matter which lens is used. The newly added Electronic Shutter mode allows silent operation which is helpful in areas where silence is needed.

Creative Control Mode has been upgraded in the LUMIX G5 with an increase of filter options from five options to 14, adding Soft Focus*3, Dynamic Monochrome, Impressive Art, One Point Color, Cross Process, Low Key, Toy Effect and Star Filter, in addition to the conventional Expressive, Retro, High Key, Sepia, Hi Dynamic, Miniature Effect*4 modes.  With the new GUI menu tab, switching filter effects is seamless. A preview of filter effects can be seen on the large LCD screen via Live View mode and the camera intuitively recommends filters depending on the scene that the camera detects in iA (Intelligent Auto) or iA Plus mode.  Furthermore, iA Plus mode allows users to adjust defocusing area in the background, exposure compensation and white balance for more flexible control while activating automatic shoot assist functions such as AF Tracking, Intelligent ISO Control, Intelligent D-range Control, Face Recognition and Intelligent Scene Selector.

For beginner users of interchangeable lens system cameras, the LUMIX G5 features the new Scene Guide which offers 23 sample pictures shot by professional photographers. Users can choose the photo closest to the situation that they are shooting and optimal parameters for shooting the scene will be set automatically*5.  Additionally, procedures, technical advice and recommended interchangeable lens options for the scene can be shown to allow users to better understand and learn photography.

Not only does the LUMIX G5 produce stunning still imagery, but it also records high quality video.  With the ability to record high-resolution full-HD 1,920×1,080 60p videos in AVCHD Progressive (MPEG-4) or MP4*6 format, subjects with fast motion and fine details are reproduced clearly. In addition to practical full-time AF, the Touch AF in video recording also lets the user enjoy professional-like selective focusing which allows the focus to be shifted while shooting video and AF Tracking easily locks onto a subject to focus, even when it moves. The Extra Tele Conversion function extends zoom range Max 4.8x without deterioration of image quality. The LUMIX G5 features a dedicated video record button on the top of the camera body so users can instantly start recording videos while shooting photographs without changing any settings. The camera can also take photos while recording video live just by hitting the shutter button. Along with full-HD video capabilities, the LUMIX G5 also features high-quality sound, recorded with Dolby® Digital Stereo Creator and noise from background wind is minimized with the Wind Cut function.

The LUMIX DMC-G5 will be available in black, white and silver in various kit options.  Pricing and availability will be announced approximately 30 days prior to shipping.  For more information about Panasonic LUMIX digital cameras, please visit www.panasonic.com/lumix

*35mm camera equivalent.
*1 When used with Power Zoom lenses H-PS14042 or H-PS45175.
*2 In M(Manual) mode
*3 For photo only
*4 Sound will not be recorded with [MINIATURE EFFECT] in Creative Control Mode and approximately 1/10 of the time period is recorded. (If you record for 10 minutes, the resulting motion picture recording will be approximately 1 minute long)
*5 Video recording using Scene Guide is not possible in some scenes.
*6 30p in MP4

• Leica is a registered trademark of Leica Microsystems IR GmbH.
• “AVCHD Progressive”, “AVCHD”, the “AVCHD Progressive” Logo and the “AVCHD” Logo are trademarks of Panasonic Corporation and Sony Corporation.
• Dolby and the double-D symbol are trademarks of Dolby Laboratories.
• HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
• All other company and product names are trademarks of their respective corporations.
• This unit is compatible with both SD/SDHC/SDXC Memory Cards. You can only use SDHC Memory Cards on devices that are compatible with them. You cannot use SDHC Memory Cards on devices that are only compatible with SD Memory Cards. (When using an SDHC Memory Card on another device, be sure to read the operating instructions for that device.)
• Some accessories are not available in some countries.
• The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
• Design and specifications are subject to change without notice.

May 212012
 

We’ve seen this lens behind glass at many a trade show in the last 12 months, the first of a pair of high end weather sealed Panasonic zoom lenses for the Micro Four Thirds System.  Today Panasonic finally confirmed the last piece of the puzzle, that the maximum f-stop is f2.8 and they officially announced the lens.  No word yet on the second of the two but it could possibly come fairly shortly with the expected GH-3 which should also be a weather sealed body to match the lenses.

Being a higher end product, and having seen this lens myself at CES 2012 where I was quite impressed, I thought this was worth a mention.  With so many mirrorless cameras and lenses being released these days, it’s nice to see a product aimed at the higher end of the market that could conceivably be used for professional work. The price is high though at about $1,500 so this is going to have to be a sharp when performer when it comes to stores in August.

Both of Panasonic's high end zooms at CES 2012

Press Release

SECAUCUS, NJ (May 21, 2012) – Today, Panasonic announced a new digital interchangeable standard zoom lens, the LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S. (H-HS12035). The newest addition to the company’s premium lens brand “X,” which is compatible with the Panasonic LUMIX G Series and complies with the Micro Four Thirds™ system standard, this lens offers a versatile zoom range of 12-35mm (35mm camera equivalent: 24-70mm) and features constant F2.8 aperture brightness at entire zoom range. Suitable for professionals and enthusiasts, this new lens captures a wide range of scenes from dynamic landscapes to available light and studio-lit portraits and features superb image rendering for lifelike textures and crisp edge-to-edge contrast.

Continue reading »

Nov 062011
 

The original GF1 was launched several years ago back in the very beginnings of Micro Four Thirds and it quickly gained a dedicated following from more advanced users with its small size and manual features.  Much to many people’s dismay, the theoretical successors (GF2 and GF3) became more and more consumer focused and lost key features like controls dials in favor of full touchscreen interfaces.  Today Panasonic are finally addressing the diversion and beginning a new line with the GX name.  The GX1 takes all the major advancements that we’ve seen in the GH and GF series over the last couple of years and combines it with the things that everyone loved about the original GF1.  Designed to match the new, higher quality Lumix X lenses, it looks to me to be the most interesting camera that Panasonic have ever unveiled.

Amazon will be taking pre-orders soon here.

Continue reading »

Aug 302011
 

With the quality of Micro Four Thirds cameras improving it was only a matter of time before Panasonic and Olympus began to target professional photographers with higher quality lenses.  A short while ago Panasonic launched a Leica branded 25mm f1.4 , Olympus released the M. Zuiko 12mm f/2.0 which was well received and now Panasonic has also announced a new Pro line of lenses called the Lumix G X- Series.  The lenses feature image stabilization and a power zoom function that will be popular with those who like to shoot video with these lenses.  With strong rumors of a pro spec Lumix GF camera coming in the run up to Christmas, this sector of the market is starting to have more appeal for professional users.  Amazon has the lenses up for pre-order as does B&H via the links further down.

Lumix G X PZ 14-42mm f/3.5-5.6 standard zoom

In comparison to the Lumix G Standard 14-42mm kit lens, these new lenses provide significant improved optical performance yet achieve a 58% reduction in size (when turned off) and a 48% reduction in weight.

Continue reading »

May 122011
 

Panasonic just took the wraps off the new G3 micro fourthirds camera and boy has this one been on a diet.  Somehow they have managed to squeeze a viewfinder and a flip out screen into a camera the size of the GF1.  Quite remarkable!

Product Highlights

  • 16.3Mp Compact System Camera
  • 3.0″ Free Angle Touch Enabled LCD
  • Electronic Eye-Level Viewfinder
  • Multiple Lens Options Including 3D Still
  • Intelligent Auto Plus
Apr 102011
 

Right now I’m sitting in Vancouver airport on my way to Las Vegas to check out the NAB trade show.  I’ll be posting regular updates on some of the cool new gear that I find out there and I’m sure there will be a ton if it.  I’m mainly interested in the HDSLR movie making gear but I’m also going to check out a lot of the newer Cine lenses and the RED Epic and Scarlet among other things that RED are set to announce tomorrow morning. The show kicks off at 9am tomorrow morning with a keynote speech from James Cameron on the future of 3d movie making which should be an interesting start to the day.  At 10:30 Red is set to make an announcement of some sort and I’ll certainly go and see what that is all about.  I’m going to make this page a sticky at the top of the blog as an index to all the separate posts I’ll make in the next few days.  I intend to take lots of photos and the odd video here and there too. Bookmark this page to stay up to date and please share it with your friends/colleagues on Twitter and Facebook too!

Sony Demonstrates 8k CineAlta F65 Video Camera.

Adobe launches Creative Suite 5.5 including subscription service and native RED support in Premiere Pro.

Manfrotto brings 6 interesting new products to NAB including support options and LED panel lights.

ARRI Launches Alexa Studio version with optical viewfinder and support for 2x anamorphic lenses via full sized 4:3 sensor.

New Marshall LCD monitors great for HDSLR make appearance at NAB

Leica and RED teaming up to bring Epic package.

Zeiss shows M4/3 and E-Mount versions of the CP.2 compact prime range.

Red announces Red Dragon Monstro sensor program + 4k Projector + lots of photos of Scarlet/Epic and more.

Think Tank Retrospective 5 Shoulder Bag

New Angenieux Optimo 45-120mm t2.8 zoom lens.

Sachtler Cine DSLR Fluid Head

Hands on with the Zacuto EVF

Hands on with Canon XA10

Canon’s new PL mount Cine Zooms

Great new lightweight slider from Cinevate, the Atlas FLT.  (Via PPC)

Small HD brings new DP4 LCD/EVF Combo to NAB 2011

Redrock Micro wired and wireless remote follow focus system.  microRemote, microTape.

ARRI launches new MMB-2 Matte Box for small cameras

Jan 022011
 

Last week I went through 10 new years resolutions for 2011 and today I want to put down some predictions for how 2011 will shape up.  I haven’t done this before, but if nothing else it’ll be fun to look back on in a years time!  None of this stuff is based on any secret inside sources that I have , just pure conjecture based on readily available information and my knowledge of the industry.

Nikon

Nikon will certainly release a mirroless interchangeable lens camera sometime in Q2 or Q3 this year.  We have seen many patents filed for such a system by Nikon (see image below) and DSLR Magazine has just published a speculative article about it themselves. Print magazines tend to stay clear of conjecture unless it is from a VERY good source and these guys have a good track record.  Interestingly they claim that the Nikon EVIL camera will be “more professional” than other current EVIL cameras.  I hope this turns out to be true because so far I have not been tempted to buy any of the m 4/3 cameras or other such EVIL options.  Continue reading »

Dec 052010
 

The Panasonic GH-2 is just starting to trickle onto the market from some of the major retailers and several people are reporting the discovery of a quite remarkable feature that Panasonic didn’t think to tell anyone about.  A feature so good that many people are saying it “changes everything again”.  At very least , it’s a headlining feature for people wanting to shoot video with the GH-2 and it is utterly puzzling as to why Panasonic is not flaunting this feature as one of it’s major selling points.

So what is this feature I’m going on about ?  Well, tucked in the depths of the GH-2 manual is reference to a mode called EX Tele Conv. Extra Tele Conversion.  At first glance it seems to be a mostly useless digital zoom feature that would result in smaller, but more zoomed in photos.  What has been discovered though is that the EX Tele Conv mode is actually a video mode and how it differs from the normal shooting mode is very important.  Under normal circumstances DSLRS use a technique called pixel binning to create a 1920×1080 pixel video from a sensor that is MUCH bigger than that size.  So they take the whole of the image you see and mathematically squash it down to 1080p size.  This process is often cited as the main cause for the image quality deficiencies seen in DSLRs.  In EX Tele Conv mode though, the GH-2 records video ONLY from a 1920×1080 rectangle in the middle of the sensor.  SO the resultant video is not all of what the lens could potentially see, but instead the equivalent of what the lens would see if it had a 2.6x teleconverter on it.  No pixel binning is applied to the resultant video, it is a 1:1 recording just using the small 1920×1080 pixel area in the center of the sensor.  In theory then this video is going to be of a higher quality than the video recorded by the GH-2 in all it’s normal video modes.  Not only that but it allows people to shoot at a much longer equivalent focal length.  A 300mm lens on a micro four thirds camera is already equivalent to a  600mm lens due to the smaller sensor size.  Applying the EX Tele Conv option suddenly gives you a 1,560mm lens shooting fantastic quality 1080p video all in tiny package smaller than a normal sized DSLR.

Normally when a physical teleconverter is added to a lens there is some amount of light lost , turning say an f2.8 lens into an f4 lens, and there is always an inherent degradation in the image quality.  With this EX Tele Conv mode though, you get NO loss of light and NO degradation of quality.  Perhaps even an improvement !  Now that the cat is out of the bag, I expect to see this feature pop up on most future HDSLRs and engineers everywhere are crying “why didnt I think of that!” as it likely isn’t all that hard to implement.  You have to assume Panasonic did not spend much time on it otherwise they would have made a much bigger deal about it. Any deal at all in fact.

The GH-1 was already VERY highly regarded by those shooting video with it, especially with the bit-rate hack available.  Initial reports suggest the GH-2 is even better and surpasses the quality of any of Canon’s offerings so this extra feature only serves to strengthen it’s position.  I wander if we will see this on the AF-100 when it comes to launch ?

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