Being a higher end product, and having seen this lens myself at CES 2012 where I was quite impressed, I thought this was worth a mention.  With so many mirrorless cameras and lenses being released these days, it’s nice to see a product aimed at the higher end of the market that could conceivably be used for professional work. The price is high though at about $1,500 so this is going to have to be a sharp when performer when it comes to stores in August.

Both of Panasonic's high end zooms at CES 2012

Press Release

SECAUCUS, NJ (May 21, 2012) – Today, Panasonic announced a new digital interchangeable standard zoom lens, the LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S. (H-HS12035). The newest addition to the company’s premium lens brand “X,” which is compatible with the Panasonic LUMIX G Series and complies with the Micro Four Thirds™ system standard, this lens offers a versatile zoom range of 12-35mm (35mm camera equivalent: 24-70mm) and features constant F2.8 aperture brightness at entire zoom range. Suitable for professionals and enthusiasts, this new lens captures a wide range of scenes from dynamic landscapes to available light and studio-lit portraits and features superb image rendering for lifelike textures and crisp edge-to-edge contrast.

The LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S. lens incorporates Panasonic’s unique Nano Surface Coating technology which minimizes reflections at entire visual range (380nm-780nm), resulting in a dramatic reduction of ghosts and flare for extremely clear picture quality. The lens’s newly integrated POWER O.I.S. (Optical Image Stabilizer) effectively compensates for both small, fast movement and large, slow movement, making it easy to shoot extremely clear photos even in low-lit situations such as at night or indoors.

Boasting outstanding compactness, the LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S. lens is approximately 73.8mm in length and 10.76oz in weight, resulting in extreme mobility. Additionally with a rubber ring on the lens mount, the new lens is designed to stand up against splash and dust making it ideal for outdoor photography enthusiasts. A highly reliable metal mount endures long time use.

The LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S. lens system is comprised of 14 lenses in nine groups. The UED (Ultra Extra-Low Dispersion) lens minimizes chromatic aberration while the UHR (Ultra High Refractive) lens realizes high descriptive performance from corner to corner. Featuring high contrast and resolution from the center to corner at entire zoom range, the new LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S. lens has the ability to capture the details of scenery or portrait with rich perspective.

The lens’s superior inner focus system provides for excellent resolution and contrast without changing the overall length from full life-size magnification to infinity. Seven blades give the aperture a rounded shape that produces an attractively smooth defocus effect in out-of-focus areas when shooting at larger aperture settings. Adopting an inner focus system driven by a stepping motor, the lens’s superior design provides smooth and near silent focusing action which is ideal for both picture and video recording. When the lens is mounted on any LUMIX G Micro System camera body, users can take advantage of the high-speed, high-precisions Contrast AF (Autofocus) system.

The Panasonic LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S. (H-HS12035) lens will be available in August 2012. For more information about Panasonic LUMIX digital cameras and lenses, please visit www.panasonic.com/lumix.

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Interesting to see today that Fuji have unexpectedly launched both a 28mm wide angle lens adapter for the X100 and also firmware version 1.3 .  I think it’s pretty safe to say in that case that we can expect to see this camera current for at least another 6 months.  Now would be as good a time to buy one as any.  I still have my own X100 and yes I still love it!  I’ll definitely be taking a look at this adapter when it comes out.

Valhalla, N.Y., May 15, 2012 – FUJIFILM North America Corporation today announced an exciting new premium accessory for the award winning FUJIFILM X100 – a Wide Conversion Lens (WCL-X100) that will further enhance the exceptional photographic experience of using the FUJIFILM X100 digital camera. The new Wide Conversion Lens will not only maximize the FUJIFILM X100’s shooting versatility and performance, but it will also add to the stunning look and feel of the camera with its exacting design similarities.

“We are extremely pleased to offer this new Wide Conversion Lens for the FUJIFILM X100, which has been enthusiastically received from the professional and advanced amateur photographic communities for its beautiful design and outstanding image quality,” said Go Miyazaki, division president, Imaging and Electronic Imaging Divisions, FUJIFILM North America Corporation. “Fujifilm is committed to giving photographers the premium tools that they need to achieve the best imaging results imaginable, and this new lens will allow the FUJIFILM X100 to exceed users’ expectations by opening up countless new shooting opportunities.”

FUJIFILM Wide Conversion lens (WCL-X100)

The FUJIFILM WCL-X100, a wide conversion lens made in Japan and designed specifically for the award winning FUJIFILM X100, attaches directly onto the camera and increases picture taking versatility by multiplying the fixed focal length by 0.8x, converting it from 23mm (35mm equivalent) fixed focal length to a 19mm wide angle (28mm equivalent). The WCL-X100 delivers superb optical quality and maximizes versatility of the FUJIFILM X100 by ensuring comparable image quality even at the f/2 wide aperture setting, all while retaining all the original optical characteristics, including the attractive bokeh effect.

The FUJIFILM WCL-X100’s optical construction uses four premium glass elements in three groups to keep aberrations minimal, and also employs the unique FUJINON Super EBC (Electron Beam Coating) for outstanding results.

Using the WCL-X100

Achieving the very best results from the WCL-X100 is simple: select the ‘Wide Conversion Lens’ option in the FUJIFILM X100’s menu system (camera must be updated to firmware version 1.30 or later) or select the function via the Function (Fn) or RAW buttons.

After selecting the ‘Wide Conversion Lens’ option, the FUJIFILM X100 automatically applies image processing to shots taken using the WCL-X100 to reduce image distortion, ensuring balanced illumination across the frame and reduced chromatic aberration which can be commonly found in wide conversion lenses.

The WCL-X100 maintains the full functionality of the FUJIFILM X100, including auto focusing speeds, the 10cm macro capability and of course, the extraordinary hybrid viewfinder. With the optical viewfinder (OVF) selected, icons showing the edge of the frame are displayed instead of the frame rim (equivalent to 80% of the frame field of view), while selecting the electronic viewfinder (EVF) gives users a 100% field of view.

The perfect match for the FUJIFILM X100
The design of the WCL-X100 has been carefully considered to ensure a seamless blend with the FUJIFILM X100. It uses the same materials, textures and colors as the existing X100, plus the optional LH-X100 lens hood and PRF-49S protective filter can be used on the conversion lens. Furthermore, the clip-on lens cap for the WCL-X100 can be attached with both the lens hood and filter in place.

FUJIFILM WCL-X100 key features

• 0.8x magnification factor to convert X100 lens to 28mm wide angle (35mm equivalent)
• All glass optical construction using four elements in three groups
• FUJINON Super EBC coating
• “Made in Japan” for optimum quality
• Available in silver and black

The FUJIFILM Wide Conversion lens (WCL-X100) will be available in silver and black in June 2012 for $349.99.

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Pre-Order

B&H have the new Leica M-Monochrom up for pre-order already.

Press Release

Solms Germany (May 10, 2012) – Leica Camera AG presents the Leica M Monochrom, the world’s first digital camera exclusively for full-frame, 35 mm black-and-white photography. Featuring a sensor designed specifically for this purpose, the new addition to the Leica portfolio enables photographers to capture images in outstanding black-and-white quality, setting entirely new standards. The latest camera in the flagship Leica M-System, the Leica M Monochrom continues the successful story of the Leica rangefinder system, which has written numerous chapters in the history of innovative photography.

“Black-and-white photography is more popular than ever before. Even today, it has lost none of its fascination as an expressive medium, not even for younger generations of photographers. This is confirmed by the numerous monochrome images shown by members of the M-Community, who we are in constant contact with,” said Jesko von Oeynhausen, Product Manager for the M-System at Leica Camera AG. “For the first time ever, we are offering an opportunity to consistently and authentically explore black-and-white photography with the M Monochrom, a tool that is unique in the digital world. The camera’s exclusively black-and-white sensor brings an enormous technical benefit that is reflected in the amazing imaging quality it delivers.”

The 18 MP image sensor of the M Monochrom is perfectly matched to the unique properties of the Leica M-System and the superior performance of Leica M-Lenses. As the sensor does not ‘see’ colors, every pixel records true luminance values – as a result, it delivers ‘true’ black-and-white images that are significantly sharper than comparable exposures from a camera with a color-sensitive sensor.

To allow precise control of tonal values, the Leica M Monochrom offers a raw data histogram display to exhibit original, unprocessed and unmodified raw data. This, combined with a configurable clipping display, allows precise correction or optimization of exposures.

At the touch of a button, images captured by the M Monochrom can be converted with characteristic toning effects from black-and-white film photography (sepia, cold or selenium toning). All users need to do is save the image in JPEG format and select the desired toning effect – simply and conveniently, with no need for post-processing.

The classic, iconic design of the Leica M-cameras is carried forward by the Leica M Monochrom. The matte-black finish of the chromed top deck allows the camera to be an unobtrusive tool. Only an engraved script on the accessory shoe reveals the product name. The camera features particularly soft leather trim with ideal grip that perfectly complements the camera’s discreet character. The camera package also includes a genuine leather carrying strap in premium full-grain cowhide.

The M Monochrom is supplied complete with Adobe Photoshop Lightroom, a professional digital workflow solution. The software is available to customers as an online download after product registration. Adobe Photoshop Lightroom offers a wide range of functions for the management, processing and presentation of digital images. For example, this software allows for the creation of simple print layouts, slide shows and photo books.

A full-version of Silver Efex Pro 2, the world’s leading black-and-white image processing software, is also included in the package. Silver Efex Pro 2 offers an impressive collection of unique and powerful, darkroom-inspired tools for the creation of high quality black-and-white images. Silver Efex Pro 2 emulates over 20 different types of black-and-white film to recreate the glory of classical black-and-white film photography. The emulation of each film type is based on the analysis of many rolls of the respective type and guarantees perfect reproduction of the characteristic look of many popular films from ISO 32 to ISO 3200.

For the production of high-quality black-and-white prints, Leica Camera AG also offers a unique service in collaboration with Whitewall. After registering their Leica M Monochrom on the Leica website, customers can have their digital images from the M Monochrom printed on premium-quality baryte paper. These prints can be ordered from Whitewall through a personal link.

From photojournalism and available light photography to discreet, artistically aesthetic, creative compositions – the Leica M Monochrom adapts flexibly to every application and enables the expression of personal photographic style and consciously creative composition. The enormous potential performance of the current M-Lens portfolio, with focal lengths from 16 to 135 mm, is also fully accessible. In line with Leica’s renowned commitment to extreme system compatibility, almost all lenses of the Leica M range built since 1954 can still be used on the M Monochrom.

All characteristic properties of the Leica rangefinder system are also present in the new Leica M Monochrom. This, for instance, also includes the system’s intuitive and discreet handling. Its manual focusing based on the combined viewfinder and rangefinder concept and aperture priority exposure mode is an aid to photographers rather than placing undesired limitations on their creative freedom. In combination with the monitor display on the back of the camera, the simple menu navigation needs only a few control elements to enable rapid access to the entire range of camera functions. Together with its compact construction, the camera’s almost silent shutter benefits discreet and unobtrusive photography. Photographers can even select the appropriate moment for re-cocking the shutter. When longer exposure times requiring an extremely steady camera stance are essential, a slight pressure on the shutter release button in ‘soft release’ mode is sufficient.

All functions of the Leica M Monochrom are constructed with extreme robustness and a long working life in mind. Its one-piece, full-metal housing, made from a high-strength magnesium alloy, and the top deck and bottom plate, machined from solid brass blanks, provide perfect protection for its precious inner mechanisms. The digital components and shutter assembly of the M Monochrom are similarly constructed with a view to a lifetime of endurance. For photographers, this provides absolute reliability over decades of use. The experienced hands of Leica technicians at the factory in Solms are responsible for the assembly and calibration of M Monochrom bodies and the precise testing of all mechanical and electrical components. Leica Customer Care has decades of experience in repairs and maintenance and therefore creates a solid foundation for long life and enduring value. Even today, the service department maintains and repairs all M-Cameras built since 1954.

The Leica M-System has played a significant role in the development of the company’s performance in recent years. The annual figures have been correspondingly positive since the launch of the Leica M9 in September 2009 and are now registering record revenues.

The Leica M Monochrom in black chrome will be available from Leica dealers including the Leica Store Washington DC beginning in late July 2012.

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The camera adds a new 16MP APS-C sensor but maintains the same 24mm f2.8 lens.  Now the lens on the X1 wasn’t bad at all, but with Fuji’s X100 selling by the bucket load you’d think maybe they would at least match their f2.0 lens.  Leica claim that they have also improved the AF system as well but other than that this seems to be a bit of a lackluster launch.

I did a review of the X1 a couple of years ago in Vancouver and I did like the camera overall so I doubt this will be a bad camera, it’s just disappointing to see them ignore it’s main physical deficiency.  X1 owners can be happy that there isn’t much to upgrade to though, maybe now would be a good time to grab an X1 instead!

 Pre-Order

B&H have the X2 up for pre-order now.

Press Release

Solms, Germany (May 10, 2012) – Leica Camera AG presents the X2, a new addition to the X-line of compact digital cameras. Handmade at Leica’s headquarters in Germany, the Leica X2 features a new APS-C-format professional CMOS image sensor with over 16.5 megapixels (effective 16.2 MP). In combination with the high-performance Leica Elmarit 24 mm f/2.8 ASPH. lens, a classic focal length for photojournalism, this sensor ensures maximum image quality and sparkling brilliance. With its refined styling and high-performance technical features, the Leica X2 offers unsurpassed performance in a compact package.

The Leica X2’s autofocus system has also been enhanced, allowing the camera to adapt to all shooting situations with enormous flexibility and enabling fast, extremely precise and almost silent focusing. The camera’s profile is complemented by numerous setting options from full manual control to automatic functions and an intuitive handling concept. These features make the Leica X2 the ideal premium-class compact camera for discerning photographers who wish to concentrate completely on their subjects and appreciate creative and true-to-life pictures.

The CMOS image sensor of the X2 is unusually large for a camera in the compact segment. Despite its high resolution of over 16 megapixels, each individual pixel on the sensor is very large, allowing the X2 to gather more light. The resulting benefits include low image noise, a high dynamic range and accurate color differentiation. The crop factor of the sensor is 1.5 in comparison with 35-mm film format, meaning that the Leica Elmarit 24 mm f/2.8 ASPH. lens of the Leica X2 becomes a universal reportage lens with an effective 35-mm-equivalent focal length of 36 millimeters. This is considered to be a classic focal length amongst prime lenses and has captured innumerable iconic images. The moderate wide-angle character and natural rendition of dimensions by the high-performance lens of the X2 open up a broad spectrum of different options for capturing those decisive moments in outstanding, authentic and richly detailed picture quality.

As a result of its simple operating concept, the Leica X2 offers clearly laid-out functions and intuitive handling. At the same time, it offers an impressive range of automatic and versatile manual setting options. Thanks to the ease of switching between manual and automatic control, photographers can concentrate completely on composing their subjects and choosing the decisive instant to shoot in any situation. The dials on the top deck provide grip when setting the shutter speed and aperture. Moreover, changing the plane of focus, the white balance and other imaging parameters allows photographers to consciously influence the look or mood of their images. In live view mode, the generously sized high-contrast 2.7″ monitor offers photographers complete control at all times and a bright and detailed view, even in strong light.

The features offered by the Leica X2 provide greater creative freedom and a wide range of photographic options. For instance, the Leica X2’s large sensor and fast lens make it ideal for shooting in available light. The camera also features a pop-up flash that can be activated whenever an additional light source is required. If more lighting power and flexibility are required, the accessory shoe of the X2 offers full compatibility with the Leica SF 24D and SF 58 system flash units.

The Leica X2 is characterized by clear lines and an intensely focused design concept. The linearity of its design and its compact, handy form are reminiscent of the Leica M-cameras. This, in combination with its robust, all-metal construction and premium, high-grip leather trim makes the X2 a classic Leica camera in both looks and feel. The camera is available in a discreet black or elegant silver finish.

An extensive range of accessories is also available to adapt the Leica X2 to each photographer’s individual photographic needs and style. A new offering is the Viso-Flex high-resolution electronic accessory finder with 1.4 megapixels and a 90° swivel function for shooting from unusual angles. Also available is a bright-line mirror finder that can be mounted on the accessory shoe and ensures a bright and clear view at all times, with no drain on the camera battery. An accessory handgrip increases the hold and stability of the camera and makes it easier to shoot one-handed. Leica continues to offer a comprehensive range of bags and cases: a premium-quality black leather case to match the elegance of the X2, an ergonomically designed camera protector in untreated leather, an ever-ready case in organically tanned cowhide to protect the camera during use and a system bag that offers more room for the camera and a range of accessories.

Adobe® Photoshop® Lightroom®, a professional digital workflow solution for Apple Mac® OS X and Microsoft Windows®, is also included in the X2 package. This digital image processing software offers a wide range of functions for the management, processing and presentation of digital images. Leica X2 customers can download the software free from the Leica website after registering their camera.

The Leica X2 is available now through Leica dealers including the Leica Store Washington DC. The optional accessories will be available after the market launch of the camera.

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Price looks to be $1895

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The three sizes allow photographers to select the best fit for their needs.

1. Airport Accelerator accommodates two pro size DSLRs, six to eight standard zooms, a 500 f/4.0, iPad, and up to a 17” laptop. The largest of the three, this one has a padded removable waist belt.
2. Airport Commuter accommodates a pro size DSLR, four to six standard zooms, (increased depth holds a 400 f/2.8), iPad and 15” laptop .
3. Airport Essentials accommodates a standard DSLR, four to six standard zooms, iPad, and up to 13” laptop.

Features include:

• Bottom hinge opens bag completely for quick and unencumbered access.
• Cable lock and locking YKK zipper sliders for added security.
• Laptop and iPad stored in a separate locking zippered compartment.
•  Light, comfortable and contoured harness system.
• Tripod/monopod mounting system.
• Top zippered pocket for boarding pass.
• Removable waist belt for additional stability when walking, running, etc.
• Easily accessible front organizer pocket.
• Seam sealed rain cover included.

Airport Accelerator

•   Exterior Dimensions: 14” W x 20.5” H x 9” D (35.6 x 52.1 x 22.9cm)
•   Interior Dimensions: 12.5” W x 18.8” H x 6.8” D (31.6 x 47.8 x 17.3cm)
•   Laptop: 12.3” W x 17.5” H x 1.5” D (31.2 x 44.5 x 44cm)
•   Weight: 4.8-5.5 lbs (2.2-2.5 kg)
•   MSRP:  $279.95 (U.S.)

Airport Commuter

•   Exterior Dimensions: 12.5” W x 18” H x 8.5” D (31.6 x 45.7 x 21.6cm)
•   Interior Dimensions: 11.5” W x 16.3” H x 6.8” D (29.2 x 41.4 x 17.3cm)
•   Laptop: 11” W x 16” H x 1.3” D (27.9 x 40.6 x 3.3cm
•   Weight: 3.6-4.2lbs (1.7-1.9kg)
•   MSRP:  $199.75 (U.S.)

Airport Essentials

•   Exterior Dimensions: 11.5” W x 18” H x 7” D (29.2 x 45.7 x 17.8cm)
•   Interior Dimensions: 10.6” W x 16.3” H x 5” D (27 x 41.4 x 12.7cm)
•   Laptop: 10” W x 15.5” H x 1” D (25.4 x 39.4 x 2.5cm)
•   Weight: 3-3.6 lbs (1.4-1.6 kg)
•   MSRP:  $175.75 (U.S.)

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·         Internal Dimensions: 12.3” W x 16” H x 5–6.7” D (31.2 x 40.6 x 12.7–17 cm)
·         External Dimensions: 14” W x 19.5” H x 8” D (35.6 x 49.5 x 20.3 cm)
·         Weight: 7–8.9 lbs (3.2–4 kg)
·         MSRP:  $299.75 (U.S.)

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So what’s this module all about then ?  Essentially it’s aim is to streamline your camera rig and remove a number of the additional boxes and adapters that necessarily hang off the side of most rigs on a big production.  You can pre-order soon for $13,000 and it should be shipping ‘this summer’.

What’s added ?

Internal trickery

• Wireless video transmission in 1080p (this is not yet functioning in the module though according to Jarred Land or RED, it used the same technology that is in their stand alone wireless transmitter that was working on the stand).  You can view that module in my previous post.
• Wireless timecode receiving.  Jam your timecode wirelessly from your sound guy.
• Wireless audio receiver.  At the moment the only system that is confirmed to work with this is Zaxcom but apparently there are others.
• Wireless lens control.  Currently compatible with Preston and 3ality controllers.  ARRI controllers are being worked on as well.

Physical ports

• 1x 2B Lemo DSMC standard input power
• 2x 2p 1B accessory power output
• 1x 9p 1B Gig-E
• 1x 10p 1B 232/422
• 1x 4p 0B CAN
• 1x HD-SDI video BNC
• 1x genlock BNC
• 1x timecode BNC
• 1 x D-Tap output

What wasn’t immediately obvious to me when I saw the image on RED’s website was how the module extends out to the front of the camera.  As you can see in these profile shots it engulfs all of the rear connections on the brain and extends out to the front where three ports are positioned for focus, iris and zoom motors.  This almost certainly means that your current base plate will no longer provide the correct rod height so they will need to come up with a low profile plate system.  This is something that I only thought about when I was posting these pics and now that I look at it it seems that 3ality might have manufactured something to that nature already as you can see in the images above.

There is no way to add any other modules to the camera once the Meizler is added.  Here you can see the main bank of connections where the biggest disappointment is the lack of a second RED monitor/EVF port.  Still no way to use both the touch screen and the EVF at the same time, or two RED monitors.  If you want a second monitor and also need to pass a signal to video village then you’ll have to pass it through your on camera monitor as there is still just the one HD-SDI port as well.

Focus, iris and zoom motors plug into the front and audio cables can be wired through the base.

The left panel features a remote socket for wiring in the Redmote.

Lots of wireless going on here.  Whilst the module is apparently in use on several sets already I did have some issues with the receiving.  Standing only 1 or 2 feet from the camera occasionally the focus would now work with the remote.  Seems like there is still some bugs to be worked out but when they are, this will transform the ease of use of the Epic when it’s on a crane or being flown with a steadicam with your 1st AC working wirelessly. I think this will become a must-have accessory for larger Epic productions.

Works with Preston and 3ality controllers at the moment.  More manufacturers are planned in the future.

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Lots of mount options out there now with Nikon and Leica having been added to the lineup.  I was able to briefly try out one of the first Leica mounts with a Noctilux 50mm lens one evening, it is quite bizarre to have such a small lens on such a big camera but to have the option at all is pretty neat.  Feature application is pretty limited due to the inability to add any kind of follow focus though but for hand held travel shooting it would be a lot of fun.

The Pro IO module is ‘shipping soon’ for $3750.  These are all the Is and Os on this one side, these are no more on the other side.  It’s quite bulky really and you’ll need to add a module adapter to it to allow you to put it onto the camera body as well as you can see in the next picture.

Here we have the new rear SSD module which is $1250.  I’m not entirely sure what you would want this for but I guess if you were shooting 3D without a mirror rig this would allow you to remove the side SSD module from the right hand camera and thus get the two camera’s interocular distance a lot smaller.  What would be amazing is if they announced that you could simultaneously record a proxy file to this drive whilst still keeping the RAW on the other SSD but no such remark was heard either officially or on the grape vine.

New cheaper 32GB SSD for Scarlet users and new 512GB Turbo SSD which will presumably be what opens up even higher frame rates.  No pricing or launch date on these as far as I can see.

Some sort of camera rotation device was shown but not discussed and we also got to see a new wireless video transmission module.  The module took the feed from the HDMI and sent it wireless in 1080p to a receiver that was about 30ft away.  No further details or pricing were discussed on this and it wasn’t part of their official announcements so I’m guessing it’s a long way off being ready.

Wireless receiver.

Auxiliary monitor adapter is essentially the same as a module adapter except that it also allows you to use a second RED monitor or EVF.  Finally you will be able to plug in both the touch screen and the EVF.  Something that really should have been possible right from the beginning.  Shipping in ‘summer’  no price available but I’d expect at least $1200.

Dual and Quad Redvolt battery modules.

Probably the most interesting module is the Meizler module which was designed in conjunction with 3Ality Technica.  I spent some hands on time with this module at the 3Ality booth so I’ll do a separate post about that one.

RED had a small theater set up to show off a short film called LOOM using their laser projector.  Unfortunately they were having some major issues with it and it was supposed to be showing 4k in 3d but was only able to manage 2k.  Firmware updates were talked about during the week to fix this but they never materialized.  Clearly this is also a long way off being ready for release but what I can say though is that even the 2K image looked stunning.  If they do bring this to market in a $10,000 price as has been mentioned then it could really shake things up.

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• Think Tank Photo -As a friend of this site, clicking through to the Think Tank site and spending more than $50 will earn you a FREE bag when you reach the checkout. Choose from several different accessory or modular bags for FREE!
• Borrowlenses.com
• DROBO Enter coupon code DANCARRPHOTO for up to $150 off on certain models.

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• B&H Photo
• Amazon.com
• Adorama
• Zacuto
• Outdoor Photo Gear
• ebay
• Think Tank Photo -As a friend of this site, clicking through to the Think Tank site and spending more than $50 will earn you a FREE bag when you reach the checkout. Choose from several different accessory or modular bags for FREE!
• Borrowlenses.com
• DROBO Enter coupon code DANCARRPHOTO for up to $150 off on certain models.