10mm shorter and 150g lighter than the previous version, the Canon 24-70 f2.8 L IS II will be available in April for approximately $2300.

Key features

 

  • High-speed USM AF
  • Fluorine lens coating front and rear
  • 9-blade circular aperture
  • Three Aspheric lens elements
  • One Super Ultra-low Dispersion lens element
  • Two Ultra-low Dispersion (UD) lens elements
  • Minimum focusing distance: 0.38m at all focal lengths
  • Improved dust and weather resistance
  • Improved durability for daily use
  • Front of lens doesn’t rotate during focusing
  • Manual focus possible in AF mode
  • Only lead-free glass is used

Canon’s revamp of the staple 24-70 f2.8 L has been in the pipeline for years if the rumors are to believed.  Today it was unveiled and whilst it doesn’t have the IS that many people wanted, it does come in at 10mm shorter and 150g lighter than it’s predecessor which will be welcomed by the pros who use this lens on a daily basis.  On top of this Canon have also unveiled the worlds first wide angle prime lenses to feature IS.  A 24mm f2.8 IS and a 28mm f2.8 IS.

 

UPDATE:   The 24-70 will be available in April for approx. $2300.  The 24mm and 8mm will be available in June for approx $850 and $800 respectively.

Press Release

London, UK, 7th February 2012 – Canon today adds to its world-famous EF lens series with the launch of three new lenses for photography professionals and enthusiasts. The new EF 24-70mm f/2.8L II USM professional zoom lens is an update to the popular EF 24-70mm f/2.8L USM, while the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are the world’s first1 wide-angle prime lenses to feature optical Image Stabilizer (IS) technology. All three provide the highest levels of performance for modern digital photographers, combining premium image quality with durable, user friendly designs.

EF 24-70mm f/2.8L II USM: the ultra-high performance standard zoom

The new EF 24-70mm f/2.8L II USM features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length.

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Nikon has unveiled the new D800 today which features a 36MP full frame sensor along with all of the video function improvements we saw on the previously announced D4.  In an interesting twist, Nikon will also be offering a D800E which is identical except for the omission of the anti-aliasing filter.  This should provide increased sharpness in that variation, but at the expense of possible aliasing on patterned subjects.  With the enormous processing power needed to deal with a 36MP image it comes as no surprise that the D800 is capable of a lower fps burst than it’s predecessor. 4fps in FX mode and 6fps in DX mode.  It’s somewhat puzzling to see that they have also opted to go for two different flash card mediums and notably excluded the XQD format that was introduced in the D4.  A photographer who purchases a D4 and a D800 as a backup will have to carry three types of cards and readers with them!

 

Critical Specs

  • 35.9 x 24.0mm CMOS FX Format Sensor
  • 36.3Mp Resolution
  • EXPEED 3 Image-Processing Engine
  • 3.2″ LCD Monitor
  • Optical Filter w/ Anti-Aliasing Removed (D800E only)
  • Eye-Level Pentaprism Viewfinder
  • 1920 x 1080/30/25/24p HD Video Capture
  • Built-In Flash + i-TTL Flash Control
  • SD and CF card slots
  • 4fps in FX or 6fps in DX mode

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This one has been a long time coming!  Reports of an updated 24-70 have been going around for two or three years.  Initially it seemed like it was going to have IS but this photo leaked today (via Canon Rumors) shows that in fact it does not have IS.

  • 82mm Filter Thread
  • Lighter than the original version (which is a bit of a beast!)
  • approx $1799

The highly anticipated Fuji X-Pro 1 is now available for pre-order from your favorite retailers.  I had a look at this camera when I was at CES a few weeks ago and first impressions are quite impressive.  Auto focus is still not on a par with it’s competitors but it appears to surpass them all considerably in terms of design and image quality.   I fully expect this to be as popular as the X100 was last year which means you can expect long wait times unless you place a pre-order.  You can cancel your order at any time before it ships so get on that list while you have a think about it!

Body

Fuji X-Pro 1 Body Only – Order from B&H

Fuji X-Pro 1 Body Only – Order from Amazon

 

Lenses

Fuji 18mm f2.0 – Order at B&H

Fuji 18mm f2.0 – Order at Amazon

Fuji 35mm f1.4 – Order at B&H

Fuji 35mm f1.4 – Order at Amazon

Fuji 60mm f2.4 Macro  – Order at B&H

Fuji 60mm  f2.4 Macro – Order at Amazon

 

 

Well well well, what do we have here ?  It seems that Canon is testing the new 600mm lens alongside the new 200-400mm lens on safari in Africa.  And look at the body in the image below…. It looks to be a combination of a 7D and a 1D X in terms of screen size, button placements and most importantly it doesn’t have a pop up flash which means it’s unlikely to be a 7dMKII.  Also looks like a new grip with more controls on it. Via CanonRumors and Aperture Academy.

Rode Microphones has just announced details of two new DSLR friendly microphones.  The Stereo Videomic Pro continues their form factor and feature redesign that we saw last year in the Videomic Pro but implements it on the old Stero Videomic.  The second microphone is even more interesting though as it is the first microphone in the world to combine a shotgun mic with a built in recorder and basic mixing capabilities as well as audio monitoring.  Read on for more details….

 

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I took some time at CES to chat to people about my favorite cameras there.  You might find out something you don’t know so take a look below.

 

As well as Canon’s new EOS C300 camera being made available for order today, B&H also have new Cinema EOS lenses that will be a perfect compliment for this camera.

Last week at CES I had some hands on time with the new zooms and they are meticulously constructed, a joy to use.

 

Canon CN-E 14.5-60mm T2.6 L S Cinema Zoom Lens with EF Mount

Canon CN-E 14.5-60mm T2.6 L SP Cinema Zoom Lens with PL Mount

Canon CN-E 30-300mm T2.95-3.7 L S EF Mount Cinema Zoom Lens

Canon CN-E 30-300mm T2.95-3.7 L SP PL Mount Cinema Zoom Lens

We thought they might, we hoped they might…… and they did.  Canon have just announced that their new flagship digital cinema camera, the EOS C300, will launch at a price of $15,999.  This is $4000 less than they originally told people, due largely in part to the backlash of the film making community.  Only 18 stores will be stoking the C300 and you can bet that there will be a HUGE rush to get these in the early stages.  If your company is considering purchasing one then I would urge you to place a pre-order with B&H Photo HERE.  You can cancel anytime prior to it’s shipping, which is listed as after January 30th.

If you want to look at more details about the C300 I have written several articles about the camera, including being able to interview one of it’s technical developers:

10 Things You May Not Know About The EOS C300

Canon Launches The EOS C300

 

Pre-Order NOW

I will update this list as more stores open their ordering. B&H lists shipping as Jan 30th.

B&H Photo – Canon EOS C300 with canon mount.

B&H Photo – Canon EOS C300 with PL mount.

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