May 132013
 

121025_9120a_dancarrI’ve honestly lost track of how many times I have written about this lens.  That wouldn’t be that unusual apart from the fact that this lens had not even been officially announced yet, let alone available to purchase! A couple of years ago (or maybe even three?)  Canon put a development announcement out there and showed the world the first concept, a super tele zoom with a built in converter.  Why would they do this you might ask ?  They don’t normally do things like that.  Well Nikon have had a 200-400 f4 for an eternity, maybe even ten years.  It is by far their most popular wildlife photography lens and it also has a big following with sports shooters as well.  In fact many Canon shooter (wildlife ones in particular) switched to Nikon just to have that lens.  Andy Biggs is a good example.  So Canon decided to let everyone know a long time ago that they heard the cries, a lens was coming, and it had a trick up its sleeve…..

The 200-400 F4 L IS 1.4x is the first Canon lens to have a built in teleconverter.  That means that the optics in the 1.4x converter are optically matched to that lens.  In other words, engaging the converter to get to a 560mm lens should yield little to no disturbance of image quality.  Effectively this is a 200-560mm lens.

Now let’s not beat around the bush though, this is a $12,000 lens ! I’ll give you a second to clean up that coffee that you just spat all over your computer screen………

Who would order such a lens?  I just did and I’m sure that many others will do the same thing.  The days when prime lenses were needed to get the ultimate sharpness out of a lens are gone.  The Canon 24-70 f2.8 L II is testament to that, it is sharper than my 24mm f1.4 L II.  So having a lens that can go from 200 all the way to 560 without having to change lenses or attache converters is a great proposition.  It allows you to capture several very different looking images in just a split second.

I’ve had the lens in my hands before and you can read about that HERE

I’ll be using this lens to replace my 300mm f2.8 L IS. I often used a 1.4x converter with that lens and this 200-400 will mean I never have to waste time doing that , plus at the flick of a switch I’ll actually have a longer lens for some upcoming wildlife stuff I’m doing this summer.

Top view of the new Canon 200-400 f4 L IS

Top view of the new Canon 200-400 f4 L IS

Pre-Order

B&H – Canon 200-400 F4 L IS

Amazon – Canon 200-400 F4 L IS

Press Release

London, UK, 14 May 2013 – Canon today adds a new category to its range of high-performance super-telephoto lenses, with the introduction of the EF 200-400mm f/4L IS USM Extender 1.4x to Canon’s acclaimed L-series. The EF 200-400mm f/4L IS USM Extender 1.4x features a flexible 200-400mm focal range with a fixed f/4 aperture, 4-stop optical Image Stabilizer and for the first time in a commercially available lens, a built-in 1.4x extender. These features combine to provide an outstandingly versatile lens for professional sports or wildlife photographers. A robust magnesium alloy design, environmental protection and specialised lens coatings also make it ideal for mobile use, combining with the finest quality optics to deliver exceptional results, even in the harshest conditions.

Get closer to the action with superior image quality

The reach of the EF 200-400mm f/4L IS USM Extender 1.4x is boosted by its internal 1.4x extender, which is engaged or disengaged at the flick of a lever to provide an extended focal length of 280mm to 560mm – allowing photographers to get even closer to distant action. Ensuring the highest image performance, the optical design includes both fluorite and Ultra-low Dispersion (UD) lens elements, which help minimise chromatic aberration and eliminate colour blurring. Advanced anti-reflection SubWavelength Structure Coating (SWC) and Super Spectra Coating also reduce ghosting and flare. Thanks to the use of the latest optical technologies, image performance is unaffected when the integrated extender is used.

With a constant f/4 aperture the use of high shutter speeds to capture fast-paced action or a low-light scene is possible. A newly designed optical Image Stabilizer, which provides users with a four stop advantage, while IS ‘Mode 3’ applies image stabilisation only at the time of exposure – ensuring that photographers can pan with fast-paced action without IS overcompensating for movement. This feature is ideal for sports photographers, who typically have only a split-second to capture a subject in front of them.

Powerful, flexible focusing

The EF 200-400mm f/4L IS USM Extender 1.4x features Canon’s pioneering ring-type Ultrasonic Motor providing fast, silent autofocusing. For those who prefer to fine-tune focus themselves, full-time manual override allows photographers to manually focus at any moment when using AF. The Power Focus (PF) mode also increases versatility during movie shooting with the EOS-1D C or EOS-1D X, enabling photographers to achieve an accurate pull-focus effect at one of two speeds, simply by twisting the focus recall ring and stopping at a pre-set distance.

High-performance design for professional demands

Designed to answer professional demands for superior image quality and versatile zoom range, the EF 200-400mm f/4L IS USM Extender 1.4x a boasts a premium-quality design befitting Canon’s industry-renowned L-series lenses.

The tough magnesium alloy chassis ensures that, despite the inclusion of the 1.4x extender, the lens is a similar weight to lenses of comparable focal length. Fluorine coatings on the front and rear lens elements also reduce the ability of dirt to cling to the lens surface, while a dust and water-resistant construction allows photographers to shoot in challenging weather conditions. The combination of outstanding optical performance, versatility, weight and tough construction will make it an essential part of any professional sports or wildlife photographer’s kitbag.

EF 200-400mm f/4L IS USM Extender 1.4x key features

  • Built-in 1.4x extender, for extra magnification when you need it
  • Shoot in low light with four-stop Image Stabilizer
  • High image quality using Fluorite lens elements
  • Fast AF with USM technology
  • Robust design for use in the toughest environments
Apr 302013
 

Canon_5dmk3_backCanon have released firmware update 1.2.1 today for the 5DMK3 which is one of the most comprehensive firmware feature additions ever seen for a Canon camera.  You can download it HERE.

 

 

 

 

Here is a list of the changes made with this firmware:

  1. Uncompressed HDMI output is now enabled.
  2. Enables the centre AF point to autofocus when the camera is used with Canon EF lens/extender combinations whose combined maximum aperture is f/8.
  3. Improves the speed of the camera’s acquisition of focus when using a Canon Speedlite’s AF-assist beam.
  4. Fixes a phenomenon in which the LCD monitor may freeze and display ‘Err 70’ or ‘Err 80’ when a still photo is taken during Live View or in movie shooting mode.
  5. Fixes a phenomenon that may occur when the continuous shooting priority setting is enabled for multiple exposures, such that, after the sixth image is taken, there is a slight pause before the remainder of the sequence is completed.
  6. Fixes a phenomenon in which the viewfinder display shows incorrect information during AEB shooting.
  7. Communication with the WFT-E7 Wireless File Transmitter has been improved.
  8. When images have been successfully transferred with the WFT-E7 Wireless File Transmitter through the FTP protocol an ‘O’ will be displayed. When images have not been successfully transferred with the WFT-E7 Wireless File Transmitter through the FTP protocol, an ‘X’ will be displayed.
  9. Fixes a phenomenon in which the camera may not function properly when an Eye-Fi card is used.
  10. Fixes a phenomenon in which the focal length value listed in the Exif information is not displayed correctly for images shot with the EF24-70mm f/4L IS USM lens.
  11. Fixes a phenomenon in which the lens firmware cannot be updated properly.
  12. Corrects errors in the Arabic language menu.
  13. Fixes a phenomenon in which the camera changes the AF microadjustment value to -8.
  14. The lens compensation data for the EF24-70mm f/4L IS USM lens has been added.
  15. Fixes a phenomenon in which the on-screen guidance cannot be fully displayed when setting the maximum limit value for the ‘Setting the ISO Speed Range for Auto ISO’ option.

Of course the big news here is uncompressed output from the HDMI port as this allows film makers to plug in external recording devices and record to other formats directly like ProRes or DNXHD in a much less compressed way then you can create files in camera.  Video recording quality should be vastly improved with this.Also important is that the HDMI output AND the LCD can be used simlutaneously so that you can frame through the LCD and still be recording or viewing a second monitor from the HDMI feed.  This is also BIG news for people that just want to feed a video village from the camera and it’s not something that Canon has really mentioned but I have tested it myself right now and it works as there is a new option for ‘mirroring’ in the menu system.

For wildlife photographers, or other that require long combinations of lenses and extenders, the AF system has been updated to work with lenses that feature a minimum aperture of f/8.  For example the 400m f4 DO with a 2x extender.

 

Apr 062013
 

NABshow_logoThat time if year is upon us again when the video community shifts their focus to Las Vegas for the annual NAB trade show.  I’ll be in attendance to keep an eye on new developments in the industry as well as do some research for some upcoming projects.  You guys know I’m always a fan of using the cutting edge equipment to it’s nice to get your hands on it all in one place.  I’ll post up plenty of updates throughout the week and in the next few days as the major players begin to announce their new gear.  I’m also attending a conference on Digital Publishing to further my knowledge on what appears to be a rapidly expanding industry.

If you missed it earlier, Canon has already shown their cards by launching new pro level mini HD cameras with HD-HDI output and 1080/60 recording as well as a new lens and updates to the Cinema EOS cameras.

Apr 052013
 

For a few days now Vincent Laforet has been teasing a new ‘revolutionary’ product.  That product has just been unveiled and he was NOT kidding.  M?VI is a hand held camera stabilization rig that will simply blow your mind.   I could babble on for a long time about the thing you could use this for , and the other products that might well become redundant with this invention, but it’s best if you just watch the videos.  Watch the first one , then pick your jaw up off the floor and watch the next ones.

It sounds like the M10, which supports 10lbs will be available soon for $15,000 or thereabouts.  Once that is under way Freefly Cinema will begin production of a smaller M5 that will support a DSLR solution and cost around $7500.  Expect the price to be upgradeable as you add all manner of remote controls…..

M?VI in Action (Quick Video) from Vincent Laforet on Vimeo.

M?VI from Vincent Laforet on Vimeo.

M?VI BTS from Vincent Laforet on Vimeo.

Apr 042013
 

I got an e-mail from my friends at SIGMA Canada this morning to tell me all about a new competition that they are having for Canadian students. Be quick though as submissions are only being taken until the end of the month.

 

Sigma Canada is giving away 3 – $3000 cash (tuition) prizes, as well as 3 – $1000 gear prizes, to full-time college or university photo students.
———————
The Sigma Scholarship Contest illustrates Sigma’s decades of technological advancement and innovation in the industry, and a desire to empower and support aspiring photographers. Who like Sigma capture and portray the ordinary — and extraordinary through photography.
How can you win? If you are a photography student in an accredited Canadian university or college and shoot with Sigma lenses, you could win. All you have to do is send us your best photos shot with your Sigma lenses.

The contest winners will be selected based on his or her ability to deliver outstanding photographs with the superior caliber of image quality for which the Sigma brand has become known.

For full contest details visit: http://scholarship.sigmacanada.ca

Learn more about Sigma visit: www.sigmacanada.ca

Submissions accepted until April 30, 2013

*Three (3) Regional Grand Prizes will be awarded. See full contest details for regional breakdown.

Sigma-Scholarship-contest-1pgr_HTML-2

Apr 032013
 

Canon announces firmware updates for EOS C500, EOS C300, EOS C100 and improvements to Cinema RAW Development software

London, UK, 3rd April 2013 – Canon has today announced the development of firmware updates for three of its ground-breaking Cinema EOS System cameras, as well as a selection of new functions for its Cinema RAW Development (CRD) software. The upgrades are the latest to be developed in response to feedback from imaging professionals, demonstrating Canon’s continued commitment to supporting the needs of the professional video community.
Following the release of the upgrades, the EOS C500, EOS C300 and
EOS C100 will now offer support for a new Magnify function that will allow users to check focus in different parts of an image, on the camera LCD, as well as the centre. This offers enhanced control and flexibility during shooting.

The EOS C300 will also be upgraded to support an additional range of features designed to assist independent videographers. Push Auto Iris and One Shot AF will provide further versatility on small-crew shoots, offering a quick, easy way to check and adjust exposure and focus prior to recording. The EOS C300 will also gain additional support with 1440×1080 HD video recording at 35Mbps – a broadcast-friendly recording mode employed by many news and broadcast organisations.

To offer greater flexibility for single shooters, a further upgrade for the EOS C100 will add support for Continuous AF when used with Canon’s EF-S 18-135mm f/3.5-5.6 IS STM lens.

Cinema RAW Development software – enhanced with new functionality
As well as updates to Cinema EOS cameras, Canon will also add new features to the Cinema RAW Development software. This software is supplied with the EOS C500 and is designed to support development, playback, and export of 4K Canon Cinema RAW clips.

The update will add support for the Academy Color Encoding Specification (ACES), providing an Input Device Transform function to allow output of developed Canon Cinema RAW files in an ACES-compliant OpenEXR file format. ACES has been proposed by the Academy of Motion Picture Arts and Sciences as a SMPTE colour space standard, intended to define the colour response for input and output devices to achieve an end-to-end pipeline of colour management from filming to editing, grading, distribution and screening.

A new function will also allow users to specify in/out points before developing or copying their RAW footage, streamlining workflow both on-set and during post-production. Finally, it will be possible to generate a development log, which will list details of files that have been copied or developed using the CRD software for future reference.

The firmware updates for the EOS C500, EOS C300, EOS C100 and CRD software will be available later in 2013.

Apr 032013
 

Prototype Canon Cine primesCanon put out a press release today, a few days prior to NAB, announcing the development of a new 35mm cine lens to match their growing set of cinema primes.  This lens was conspicous  in its absence before with a 14, 24, 50, 85 and 135mm in the lineup.  These cinema lenses are based on the optics of existing L-Series still camera lenses and the speculation is that there was no 35mm in the launch lineup because a new 35mm still lens was in development and it would make more sense to base the cine lens around those newer optics than to built it on a ten year old lens.

With the announcement of this development, I think we will see a Canon 35mm f1.4 L II in the near future as well……

 

From Canon

 

Canon Inc. announces development of 35mm Cinema prime lens

London, UK, 3 April 2013 – Canon has announced it is developing a new 35mm cinema prime lens for large-format single-sensor digital cameras. Compatible with a wide range of sensor sizes including super 35mm, full-frame 35mm and APS-C, the new EF-mount 35mm lens in development would become the sixth prime lens in Canon’s EF Cinema lens line-up, fulfilling the requirement for an option between the existing 24mm¹ and 50mm² lenses. A development sample of the 35mm cinema lens will be on display in the Canon booth during the 2013 NAB Show in Las Vegas, April 8-11, 2013, with the aim of an official launch during 2013.

Delivering high optical performance in a variety of focal lengths to suit a broad range of creative shooting preferences, the precision-matched Canon Cinema prime lenses are part of the Cinema EOS System of professional digital cinematography products. Launched in late 2011, the Cinema EOS System offers a unique range of high performance, large sensor cameras and 4K cinema lenses, providing exceptional quality and creative freedom to professionals of all kinds.

“Canon is committed to developing class-leading tools to support visual story-telling at all levels,” said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. “In the past 18 months alone, we’ve launched Cinema EOS and expanded the system to include HD, 2K, and 4K cameras, and a range of different lenses. We continually strive to offer our customers more creative options providing them with greater flexibility that will further support the delivery of exceptional imaging content. The new 35mm lens currently in development is a great example of this.”

All Canon EF Cinema lenses integrate advanced materials and coatings to meet high optical performance levels, including 4K (4096 x 2160) production standards. Each Canon Cinema prime lens is equipped with an 11-blade aperture diaphragm, which is ideally suited to achieve creative depth-of-field manipulation and pleasing “bokeh” effects. All feature a full-frame image circle in a lightweight, compact design, delivering colour tone and balance that matches Canon’s advanced Cinema zoom lenses. Canon Cinema prime lenses deliver the operation and reliability required in professional film-style shooting environments.

Canon Cinema prime lenses are fully compatible with all cameras in the Cinema EOS System, and, thanks to their full frame imaging circle, can also be used with Canon’s DSLR cameras such as EOS 7D and EOS 5D Mark III. The EF-mount design of Canon’s Cinema prime lenses supports communication between camera and lens, enabling features such as display of the f-number in the viewfinder, recording of lens metadata, and Peripheral Illumination Correction³.

Launched in 2011, the Canon Cinema EOS System has already grown to include four cameras and nine prime and zoom lenses with different lens mounts, covering a range of focal lengths. For full details of all the products in the Cinema EOS range please visit www.canon-europe.com/CinemaEOS.

Specifications and pricing for the 35mm Cinema prime lens in development are not yet fixed. Canon will release further details in due course.

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