Last week we took a look at the newly released Guru 28 liter backpack.  This week I’m giving you guys a first in-depth look at the soon to be released F-Stop Satori EXP which is due to be on sale this coming July.  This pack sits at the opposite end of the Mountain Series to the Guru, with a Capacity of 62 liters and as the EXP designation implies this one will hold everything you need on your next expedition.  The pack might be larger than the Tilopa BC but by forgoing the waterproof TPU base seen on the Loka and Tilopa BC the shell is actually lighter.  If your main outdoor pursuit is skiing or snowboarding then the TPU base of the other two is a really great feature.  If on the other hand you spend your time hiking into the wilderness  to shoot landscapes and wildlife then the Satori is going to be more up your alley and provides a wealth of options for attaching additional gear and accessory bags.

The Satori EXP will be available directly from F-Stop as a shell only for $359 (in Grey Mist, Foliage Green or Black) or with various configurations of ICUs, prices of which will be detailed closer to it’s release.  If you are unfamiliar with the ICU system, all will be revealed below.  Essentially it allows you to decide the size of the padded camera compartment in the bag depending on how much camera gear you need and how much other gear.  One you have an ICU or two you can just purchase Shells on their own when you decide you need a different pack.  Perfect if you are a bagaholic photog!

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If you aren’t familiar with this upcoming lens from Canon then check out my previous post with all the details.  We still don’t know when this lens is going to become available and Canon is currently tight lipped about how badly production schedules are being affected by the situation in Japan.  Last week though, the Canadian camera store Henry’s hosted a show in Toronto and the 8-15 f4 L was on show for all to see.  What made it a little different this time is that people were allowed to use them and shoot photos of them to their own memory card.  Friend of the site Chris Tanouye contacted me and showed me some sample images that he shot at the show.  Obviously lighting conditions on tradeshow floors are terribly low so it’s a difficult test but he posted some full resolution images up on his Flickr account.  You can view the whole set HERE yourself.  The images were shot on both a 50d and a 5dMKII at varying focal lengths.  They were all shot wide open (f4) and some of them at pretty slow shutter speeds so bear this in mind.

Now we have no real way of knowing what stage the sample lens was in.  i.e. how close to the production model it will be. Things may change and probably will so this is just a bit of fun to look at these really as we haven’t heard or seen anything new about this lens since September and I for one am getting impatient :) Continue reading »

F-Stop have started to ship a new pack in their Mountain Series lineup a couple of weeks ago.  Firstly I should disclose that I am a member of F-Stop’s Faction pro team and as such this pack was given to me to use for my work. So as I have done in the past, I’ll keep this as more of an informational post about the pack so you guys can get a good feel for it before you place your order :)   In all seriousness , given the traffic spikes I see on my site whenever I post about new F-Stop gear, I know you guys love this stuff anyway!

If you aren’t familiar with the other Mountain Series packs from F-Stop you might want to take a quick look back at my previous posts covering the Tilopa BC and the Loka. Both of these packs have been incredibly popular and have quickly become the default pack for adventurous photographers all over the world.

As you would expect then the Guru is designed and manufactured to just as high standards as the other packs in the lineup.  The main difference here is that the Guru is the smallest pack of the series with a 28 liter capacity compared to the 37L of the Loka and the 48L of the Tilopa BC.  Towards the bottom of this post you will  find some comparative photos showing all of the packs together.  The Guru is designed to work well with either the small or medium ICU for those with a minimal amount of gear who want to carry a few extra items with them, food, extra clothing etc etc.  As you’ll see from the images below, either of these ICUs still leaves plenty of room in the pack.  The Guru also features a comprehensive organizing pocket in the front with multiple internal zippered pockets and slots for all sorts of things.  You could fill it with pocketwizards and cables, or even take it to school with some pens and other stationary in it.  Due to it’s smaller size and inconspicuous looks, the Guru can be used for any number of uses.  A great pack for a day in the city or an all day mountain bike adventure.  Shredding pow in the mountains or carrying a camera around your school or college.  It features an unpadded laptop sleeve that will fit up to a 15″ laptop. Guru features the same ripstop nylon as the Loka and Tilopa and let me tell you, it’s tough stuff so this is going to last you a long long time.  F-Stop packs are available exclusively through their own store. And prices for the Guru start at $245 for the shell + 1 ICU.  Of course if you already own ICUs for your other packs you can also just grab the shell for $195.

Now please take a scroll through the 50 odd photos below which detail every part of the new Guru including comparisons with F-Stops other bags, possible uses and a look at the all new Gatekeeper functionality.

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The Australian company Aquatech are best known for their underwater camera housings but over the last few years they have been slowly releasing a range of very well thought out accessories for photographers and in particular, long lens shooters.  I have an assignment coming up in June that will see me carrying my longest glass around on my monopod for a whole week whilst putting in some serious leg work.  While looking over the B&H website last week I noticed this new monopod wrap from Aquatech and thought it might come in handy.  It also coincided with some shooting I was doing around Whistler, BC, with the hefty Canon 500mm f4 L IS so it proved it’s worth right away.  The outer material is nice and soft and the other side is very rubbery.  The rubber grips your monopod like glue, this thing is going nowhere so you wont have to worry about it rotating.  The velcro attachments are also extremely strong and cover a large area.  The foam padding inside seems to be just the right density too, offering support and not compressing too much over extended periods on your shoulder.  The price seems about right, $29.95 from B&H and if you do a lot of long lens work I think you’d be glad to have this on your shoulder.

Buy from B&H

Buy from Amazon

Incidentally that is a Really Right Stuff MH-01 monopod head on my monopod.  You can also read all about the foot modification HERE on my Ski Photography website.


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F-Stop is now shipping the first batch of their new day pack the Guru.  This new back is a great do anything bag.  Carry it around town with you , take it snowboarding or hop on your bike.  The rear opening of the pack is smaller than that on the Loka and Tilopa BC and is designed around the size of the medium ICU (you can find extensive photo comparisons of the ICU sizes on this page).  As with all the new F-Stop bags though you have a choice over which ICU you purchase with the bag, or you can buy them all to give you the best flexibility with how much gear you carry.  The Guru is the first pack from F-Stop to feature their new Gatekeepers , which will appear on several new packs in the future.  The Gatekeepers are removable, adjustable straps.  There’s more of a dedicated “organizer” pocket than on the very mountain specific bags, again adding to the versatility of this one.  You could easily use this to carry some books to university or college by day and camera by night.  The internal sleeve will fit most 15″ laptops , though offers no padding so so you might want to slide it into a sleeve as well.  The Guru starts at $215 , more details below. Continue reading »

Think Tank have added to their highly popular Retrospective series today with the announcement of the Retrospective 5 shoulder bag available in either black or pinestone.  I personally have the Retro 10 bag and it’s a fantastic bag for carry around town with a camera and couple of lenses.  The material is super tough and wear resistant and there are plenty of pockets for all the bits and pieces you need.  This new Retro 5 is designed for a small DSLR and a couple of lenses or a full Micro 4/3 kit or maybe a Leica M9 or some such rangefinder camera.  Looks great!

  • Perfect size for DSLR, Micro Four Thirds, rangefinder camera systems
  • Minimalist outer appearance conceals expensive photo equipment
  • Hook-and-loop “Sound Silencers” on front flap eliminate noise while opening the bag

Gear Profile:

  • 1 standard size DSLR with 1–3 lenses and accessories
  • A complete Micro Four Thirds or rangefinder camera system with 3–6 lenses and accessories
  • ID: 9.5″ W x 7.8″ H x 4.5″ D (24 x 19.5 x 11.5 cm)
  • ED: 10″ W x 8.5″ H x 6″ D (25.5 x 21.5 x 15 cm)
  • Weight: 2.3 lbs (1.0 kg)

In Feb. 2011 Canon launched the Rebel T3i.  Occasionally consumer level products offer a sneak peek at something which may filter up to pro gear in a more refined manner.  The T3i, or 600D depending on where you live has one such interesting feature.

The feature in question is called Video Digital Zoom.  Now before you all yell BLEUGH …. digital zoom sucks… bare with me.  Yes in general digital zoom does suck so this feature comes with some caveats.  Unfortunately Canon has not provided any information on exactly how they are implementing this zoom mode so there is a certain amount of educated speculation going on here.  On the video page of the T3i menu you will see a new option labeled 3-10x.  It can only be selected when you are in 1080p mode so no slow mo 60p digital zooming just yet.  Once selected, you have to press the Disp. button on the back of the camera and then hold the zoom in or zoom out button.  The minimum zoom is 3x.  In other words there is no range between 1x and 3x , it just jumps straight to 3x.  From 3x to 10x the camera will perform a smooth zoom whilst holding the buttons described.  Of course that in itself is not too helpful as you have both hands touching the camera at extreme zoom levels so it’s going to be very shaky.

Below is a video example recorded using this new function so you can judge the quality for yourself.  To me, the quality at the 3x level is looking pretty darn good and as soon as you zoom in from there is drops off to pretty darn useless very quickly.  But having a good 3x zoom function is nothing to be sniffed at.

T3i w/ 100mm Macro + 3x Zoom from emmagination on Vimeo.

Here’s what I think Canon are doing here:

The T3i sensor is 5184 x 3456 pixels for photos.  In 16:9 for video that would cover 5184 x 2916 pixels.

But the video is obviously only 1920 x 1080 pixels and we know that through a process called pixel binning that is how they record the 1080p video from a sensor that has more pixels that needed.  But what if they were to only record the video from the 1920 x 1080 pixel rectangle that was in the middle of the 5184 x 2916 sensor ?  In theory this would be good quality as it would not have be “binned” but it would create a zoom effect.  How much though ?  Time for a bit of math.

o if you took just the central area of the T3is sensor you would in fact be creating an image that has a 2.7x zoom applied to it.  Now whilst the menu option does say 3-10x , Canon literature states that the zoom is “approximately 3x”.  My guess then is that it’s actually 2.7x at the minimum.  In this case, at the low end there is really no actual digital zooming taking place, that merely comes into play as soon as you begin to zoom from 3x to 10x.  You can see a very quick drop in quality in the video as soon as you do this.  The ladybird example even has the advantage of decent lighting.  In a high ISO situation this result looks much worse as the digital noise is also magnified, not in effect but in actual size!  Whilst the range between 3 and 10x is fairly useless for applications where image quality is very important, it does look like you can get a decent result at the lowest setting and you could still optically zoom if you were using a zoom lens on camera.  Will we see this function in newer Canon cameras? Maybe. And it makes me wander about potential application on other cameras like the RED Epic too.  That camera features a sensor that shoots at 5k , presumably they could also , with a firmware update, implement some sort of lower resolution recording at a zoomed level.

Other things to know about Video Digital Zoom:

  • The image cannot be magnified for focus assist.  This is a bit of a bummer as DOF will be critically thin at large zoom levels.
  • AF mode will automatically switch to Live Mode
  • Still photo shooting is not possible.

Think Tank Photo, manufacturers of some of the best photography bags on the market, have introduced 5 new products to make the life of the traveling photographer a little tidier.  Please head on over to ProPhotoCoalition where I have posted the full details !

Full story HERE

If you follow THIS link to the Think Tank Photo website and spend more than $50 in their store, as friends of my site you will be entitled to select a FREE bonus bag upon checkout!

The full press release for the Canon 200-400 first announcement can be found here.  I wanted to touch on a few further thoughts about what is an incredible lens.  For years Canon shooters complained about the old school style of the Canon 100-400 f4.5-5.6 L IS.  With it’s push pull design many people found that it sucked in dust and there were also large variations in the quality of them.  Sometimes you could get a great copy, and if you didn’t mind dealing with the odd zoom design you could make some great images with it.  Many wildlife photographers used this lens for it’s compact size compared  with the large primes like the 400mm DO and the 500mm F4.  The flexibility of the zoom range meant you could get a detail shot and a scenic wider shot of the animal to show the full location a bit more.  On the other side of the fence Nikon shooters had the beautiful 200-400 F4 VR (and now a VRII version).  When the Nikon D3 came out, many wildlife shooters like Andy Biggs switched to using the D3 and 200-400 f4 combination.  The constant aperture and incredible sharpness were not without a price though (approx $7000).  Many Canon shooters longed for a similar lens, myself included.  Such a lens would be great for wildlife and also for sports.  With today’s high ISO capabilities I find less and less need for f2.8 anyway so a 400mm f4 lens would be just fine with me. Continue reading »

It’s not very often that Canon announces multiple SLR cameras on the same day, and even rarer that the two place next to each other in the product lineup.  Canon just announced (FEB 2011) the new T3i and T3 DSLRS, also called the 600D and 1100D depending on whether you are in N.America  or Europe.  For the rest of the article I will refer to them using the N.American nomenclature of T3i and T3 but the European models are just the same!

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