Apr 112012
 

When I first started to write this blog I included posts about my photography work, mixed in with gear reviews and industry news.  Eventually I decided that I needed to separate these two things so I started www.TheSkiPhotographer.com as a place to keep info about my ski photography work which takes up the majority of my shooting time.  Since then I haven’t really shared any of my work on this blog apart from the odd technique related post.  Today though I’d like to break that habit because I’m proud to be able to say that I have the #1 rated photo on the popular photography website 500PX.  I’ve been a fan of this site since it’s launch and it never ceases to amaze me how much incredible photography there is out there in the world.  To have the #1 photo is a proud moment for me, a real honor.  I’ve been amazed at the response I’ve had this morning from the media as well.  500PX is doing a lot right!  Newspapers and news agencies from around the world have contacted me this morning looking to showcase the image and the rest of my winter work.  It’s really quite incredible!

Photo background:

We’d been looking for a spot to build some consecutive jumps for a few weeks and when the opportunity finally presented itself we only had a few minutes of light left in the day.  As you can see in the image there is no direct light left!  The sun had just settled behind the mountains and time was running out.  This was Sammy’s first hit on the jumps and YES this was all shot in one go.  I put the Canon 1dMK4 on JPEG mode to get more shots before the buffer filled up and I literally just let it rip!  There was just enough shots in the buffer though.  This was shot with the Canon 70-300 L IS lens that I used so much last winter with great success.

Please click HERE to view the image on 500PX in higher resolution.

 

Mar 282012
 

One of the things that I was happy to see at the launch of the Canon 5D MKIII was that they have kept the venerable LP-E6 battery that was first introduced more than three years ago with the MKII.  I’ve always been amazed at it’s capacity and in the last few years several third party accessory manufacturers have also adopted it for powering video equipment accessories such as LCD monitors of external video recorders.  Of course it’s also been used in the 7D and 60D!  In other words, if you are a Canon shooter then the chances are you have one of these batteries and the standard Canon battery charger lying around somewhere.  Wouldn’t it be nice if you could charge two at a time though like the Canon 1-Series battery chargers?!

Well this is where the Perastone Duo Charger comes in.  With it’s large and seemingly informative LCD display it certainly looks impressive at first glance and at a price of $79.95 should allow you to charge twice the batteries for the only slightly more than the single Canon charger.

The first thing you’ll notice when you go to plug in a battery is that the charger is generic and there is an LP-E6 mounting plate on top of it.  In theory this could be a nice feature as it makes it somewhat redundant and presumably possible to add extra adapters to the charger to deal with other types of batteries.  In practice though it’s a little annoying as the adapter plates often come loose, particularly when removing the battery after a charge.

The second thing I noticed was some very erratic information displayed on the LCD screen.  The screen should display the percentage power for each battery but for some reason it constantly jumped about between the correct information and 0%.  More often than not, a second battery would continually display 0% charge up until the point at which it began to charge (after the first one had finished).  Confusing and irritating.  I have since noted another review where the 0% phenomenon has been mentioned so it seems like it’s not limited to my unit.

All of these photos were taken just a few seconds apart.

Apparently it's 0% charged!

Now it's 100% !

Now what ? I'm not sure ....

 

The batteries seemed to charge well enough though but I found it hard to trust the information on the screen when it changes all the time.  For me though, the real deal breaker came when I packed this charger for a photo shoot in Europe.  EVERY manufacturers battery charger that I have ever used is perfectly capable of handling worldwide voltages.  It doesn’t matter if it’s the charger for a $300 point and shoot camera or one for a Nikon D4.  Plug it into any voltage from 110v to 250v anywhere in the world and you will be just fine.

Unfortunately this is NOT the case with the Pearstone Duo Charger.  For some inexplicable reason it will only work with 110v.  So there I was in Austria last week for a shoot, with this charger, and having plugged it into the European 240v outlet of course it did not work.  For me this is a total deal breaker.  I travel with my cameras, that’s what I do.  I don’t want to worry about which charger to take with me for which country, I just want one that works.  Trust me when I say that to find yourself in a rural location in a foreign country with the realization that you cannot charge your camera battery is huge pain in the butt!

If you honestly feel that you will never ever leave N.America with this charger , and you have a huge number of LP-E6 batteries to charge then it does work but quite honestly I’d rather buy two of the official Canon ones for $110 than this one with it’s limited usefulness and inaccurate LCD readout for $80.

Sep 252011
 

Whilst uploading a new video to my Vimeo channel last week I noticed that the very first video I ever created has now been viewed more than 285,000 times!  I can’t believe it !  The bulk of my creative work continues to be photographic but this video is a good reminder to me that I need to get out there and shoot more videos from time to time.  No special equipment was used to shoot the video, I simply used the things I already had for my photography business and shot it with a Canon 5dMKII.  Apart from being the first video, it was also my first experiment with video editing as well and creating personal projects like this is a great way to immerse yourself in a new experience.  I learned so much in the couple of days we took to produce this.

Sep 092011
 

I’m a big fan of Sachtler fluid video heads but they don’t come cheap.  With more and more budget conscious DSLR film makers out there Sachtler have decided to address the lower price point with the launch of a new full fluid head called the Ace , which comes partnered with a tripod for an expected price of only around $500. This price would make it the cheapest proper fluid head on the market and initial reviews of the heads build quality have been glowing.

  • Centre Spreader version total weight: 4.4kg
  • Floor spreader version total weight: 4.6 kg
  • Head on it’s own weight: 1.7kg (only sold with sticks)
  • Centre spreader min max height: 78cm/169cm
  • Floor spreader min max height 57cm/173cm
  • Length for transport: 85cm
  • Payload for both: 0-4kg
  • Temperature range: -30 C to 60C
  • Max angle of head 90 degrees down, 75 degrees up.

Continue reading »

Aug 182011
 

In June 2011 I got to fulfill a lifelong ambition and head to France to shoot the worlds greatest motor race, the 24 hours of Le Mans.  I’ve followed many forms of motorsports since I was young and before I discovered photography I was all set to work in the industry with an engineering degree.  Having attended the race at Le Mans in a spectating capacity several times I’ve always wanted to be on the other side of the fence with my camera and 2011 was my opportunity.  This race is unlike any other that I have ever been to though, apart from the obvious fact that it’s 24 hours long there is a uniqueness to the festivities and atmosphere that spread throughout the fans and the circuit during the 5 day run up to the actual race.  Those who have attended the event often return year after year, making the pilgrimage from all corners of the globe and in total the track plays host to a quarter of a million fans during the middle of June.  For me this was an opportunity not to be wasted because getting credentialed for such high profile events is not an every day occurrence.  I’d love to incorporate more motorsport shooting into my work and this was going to be a prime place to show people what I was capable of.

Click through for a huge post and some videos on the whole experience.

Continue reading »

Jul 182011
 

Google + is the new hot ticket in town for fans and user of social media.  I was hesitant about it to begin with and wasn’t sure I really wanted anything more the Twitter and Facebook but the reponse to G+ has been overwhelmingly positive during the initial roll out.  In fact it took me many months to gather as many followers on Twitter and Facebook as I have on G+ in just a week.  What’s interesting to me is that it isn’t all the same followers.  I never publicized my G+ account on twitter at all so people are finding me independently of that and on Facebook I gave it one quick mention on day 1 which resulted in a few followers.  Since then though I have been getting up to 150 new followers a day without even actively posting a link to my profile anywhere.  G+ has created, within the space of just a couple of weeks ,a thriving community of photographers.  I see a lot more “conversation” going on within G+ too.  Whether this is due to the ease of networking within the environment, or whether it has something to do with the type of people using G+ in the early stages I’m not yet sure.

Anyway….. my good friend Colby Brown has written an exhaustive guide on using G+ for photographers.  It really does cover every aspect so if this post has so far left you scratching your head wandering what the hell it is that I’m talking about then I urge you to take a look at this excellent guide.

 

Many of us photography/technology geeks have been waiting patiently for something like this to come along. After all the excitement about Google Buzz and Google Wave, both of which have turned out to be flops, we were let down. Forced to use Twitter and Facebook or Flickr and 500px, we had to make due with what was available. I know I am not alone when I say that while those networks have certainly been beneficial to my photography business, they were not easy to grow or interact with people in meaningful ways.

You see, for the most part, there are three types of individuals out there in the photography world:

  • Content Creators: Those that run a business and need avenues in order to create/share original content, photography work, ideas and services.
  • Inspiration Seekers: Those that are interested in photography and are just looking for inspiration
  • Everyone Else: The vast majority of people that are somewhere in-between.

Each of these three types of “photographers” are looking for different things when it comes to what social network works for them. In the past, each group had to use a mix of all of the major networks and image sharing websites in order to full fill their needs. That was then. This is now.

Click through here to read the rest of his article.

 

Add me to your circle on Google +

 

Jul 112011
 

You guys know I’m a big fan of Think Tank’s photo accessories and I use several of their solutions on a regular basis for my photography business.  Last month I flew to France to cover the 24 Heures Du Mans, arguably the world’s greatest motor race.  On track activities are spread out across a whole week and at that time of year in Northern France it’s hard to go a whole week without some rain.  Knowing this , and the fact that I would primarily be shooting with much longer lenses on this particular trip I knew I need to buy a rain cover that would fit my 300mm f2.8 or longer.  Think Tank make a smaller rain cover called the Hydrophobia 70-200 which I have reviewed before and found to be an excellent product so it was a no brainer to pick the newer version II of their 300-600 cover for this trip. Continue reading »

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