Around this time of year he rumor mills really start to turn the greasy wheels.  July, August and September are often months that see the key players in the industry announce new products either for immediate delivery, or increasingly in recent years , for deliver before Christmas.  In the last few years a wealth of websites have cropped up to deal with rumors for specific camera brands.  A few of these sites have good track records in tracking down new information long before anything official is released by the manufacturers.  Some of the other sites……. well they don’t have the best of luck.  Often there are snippets of correct information but it’s muddled in amongst bogus specs and rarely are things correct many months out.  Once things get close to an official announcement the rumors start to get a closer to the real deal.

I’m sure we are going to see weekly updates on these sites with supposed specs on new gear, one thing for certain though is that Sony, Nikon and Canon can be expected to make some major announcement in this time frame.

Sony looks set to bring an A77 to the market in July featuring their pellicule mirror technology to an APS-C camera with some decent specs to sit above their A55.

Nikon will be replacing the D3 and the D700 at some point.  It seems likely that at least one of these will be in August.  Before the Pixiq tradeshow was cancelled, Nikon and Canon were probably planning on releasing things at that show.

You guys know that for me it’s the Canon gear that I’m most interested in.  The website Canon Rumors has had so many conflicting reports over the months it’s hard to make sense of it.  We will certainly see an official release of the 200-400 f4 L IS which was announced as in development some months ago.  We have also been waiting for an eternity for a 24-70 f2.8 replacement.  Its been reported that there are several patents and test versions out there, some with IS and some without.  I’d say this one will finally come alongside some sort of 1dsMKIII replacement.  There has also been some reports that the 1d and 1ds line will be merged.  Not sure about that one!  And of course it’s about time for a 5dMKIII too.  On top of that there has been rumors of a 35mm f1.4 II and the much needed 50mm f1.4 II.  My bet would be on the 35mm to come first. Continue reading »

All hard drives will fail with 100% certainty. The only question is when ? It could be after a week, or it could be three or four years, but because they are mechanical it is a certain event. If you are not keeping redundant backups of your photos then at some point it is guaranteed you will loose some of your photos. They might be some family holiday snaps with only sentimental value or they might be your best selling stock images with a residual value of $100,000s . Either way there are some simple precautions you can take to prevent this from happening.

Different sizes of photography business will benefit from slightly different routines. If you are running a huge photo studio with 10 employees working on projects constantly then check out Chase Jarvis’ site for info on that scenario. My business is relatively small in comparison because I do that majority of the work myself, shooting, archiving, editing and client delivery are all done from my workstation and most of the time done by me when I am around. So if you are a one-man-band then this will be a bit more suitable to your needs. There are plenty of other permutations on how to handle this but this is what works for me. I will go into specific downloading workflow and Lightroom work in future articles, this one is just concerned with backup.

Office scenario (when I am not traveling)

Used cards from the day’s shooting are stacked up on my desk in one pile. In turn I take each card and put them into my Sandisk card reader. I use Lightroom 3 to ingest the photos from the card and tag them with the necessary metadata for the shoot. I use the COPY command in the Lightroom import interface and this is VERY important. If you use the MOVE command then it will delete the files from the memory card after it has moved them to your hard drive. By using COPY I am creating a copy of the file on my drive, and the original shot still remains on the memory card for the moment. All the files from the card are copied onto my DROBO storage unit into a folder called “Photo Archive” where they are then put into another folder labeled with the year and then a further folder with the date in dd/mm/yyyy format. For every day of shooting then I have a separate folder. If you are not familiar with DROBO storage then I suggest a read of their website which contains extensive videos on their usage. Basically they are somewhat similar to RAID systems in that they make duplicates of your files so if one drive in the DROBO fails, the data is still available on another drive and you have not lost anything. So at this point I now effectively have two copies of the photos on the DROBO (because it creates duplicates automatically) and one copy still on the memory card. Continue reading »

For people that shoot fast moving action with strobes like myself, we are always worrying about sync speeds and flash durations.  Today I’m going to talk a little bit about flash sync and give a quick example of how you can push the boundaries of what can often seem like a very limiting factor with DSLRs.

One of the first questions people ask when they start experimenting with flash is “why does my camera not allow me to use a shutter speed higher than 1/xxx second?”  If you scan through the specifications of a camera you will see one called x-sync.  Typically listed as between 1/180 and 1/250 of a second, this is the fastest useable shutter speed of your camera when using flash. The best way to get to grips with it is to understand exactly what is happening in that split second after you press the shutter button. Continue reading »

For the last three years I have been using the Elinchrom Ranger RX for the majority of my strobed work.  Sometimes I use some Nikon speedlights for fill, but the Ranger is my key light.  I have used it in the rain, in blizzards, in -32 degrees Celsius and it has traveled around the world to Alaska, Japan, New Zealand twice and everywhere in between.  I can depend on this strobe, and it has never let me down.  I have the RX version which is slightly lighter weight than the RX Speed.  For me, recycling time is not such a big deal as most of what I am shooting is one off action that normally requires at least several minutes between shots anyway.  Despite being the lighter weight version of the Ranger RX family, it still weighs in at a hefty 8KG just for the pack (no heads or cables).  Last year Elinchrom announced the new Elinchrom Quadra. A lower powered sibling to my big Ranger, that weighed in at a much more tolerable 3.65KG.  Recently I finally got the opportunity to test a Quadra setup so here are some thoughts on it and something of a comparison to my now very rugged looking Ranger RX…………. Continue reading »

Screen shot 2010-04-27 at 10.09.19 PMSo you’ve mastered you wide-angle lenses and medium telephoto zooms like the ubiquitous 70-200.  The next step is inevitably looking at longer lenses in the 300mm and up range.  Firstly, be prepared for your wallet to take a bit of a hit.  For the most part, once you start heading north of 200mm the price of lenses can take a bit of a jump for the higher quality ones.  I can’t cover every lens option but here’s a few thoughts on some of your options from the main two manufacturers.  During my years shooting skiing I have rarely needed a lens that goes much longer than 300mm.  Sometimes 400mm is good and a couple of times even longer.  But I would not say that for skiing and snowboarding photos you need a lens that is natively longer than 400mm.  If you need longer once a year, its best to use a teleconverter that time, than carry around unneeded range with you all the time.  Here are your main choices in order of ascending price……. Continue reading »

091230_0458_dancarrIf you are looking to become a ski or snowboard photographer then get ready for a long shopping list of gear you are going to need.  Every time I pack my gear for a trip I’m amazed at the amount of gear I have amassed over the last few years.  Some of it is fairly specialized and only necessary for people that shoot full time for a living, and some of it I would recommend for everyone looking to get into the business.  In no particular order here is my top ten list of things you will need to get started! Continue reading »

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