Since I took delivery of my Canon 5dMKII last year I have had a lot of fun learning about shooting video and investigating the potential that the Canon DSLRs have in shooting HD movies. With so many people embracing the movie making capabilities of these new cameras, I wanted to check out some products that can potentially make your videos stand out from the crowd. A commenter on a previous post about video accessories for the 5dMKII, suggested that I try out some of the products from the US company Glidecam. At the time I had a few other things to check out but recently I saw some incredible war footage shot by journalist, Danfung Dennis. He used a glidecam HD-2000 to shoot the stunning footage for his documentary, Battle For Hearts And Minds. After seeing this I had to try it out and the kind folks at Glidecam were gracious enough to lend me one to try out for a few days. Read on to find out more…..
Think Tank Photo today announced the long awaited Hydrophobia 70-200.
Purchasing the Hydrophobia through THIS LINK will allow you to claim a free smaller Think Tank bag when you checkout !
Press Release
Rain Cover for 70-200 and Smaller Lenses Released!
To help you get the shot in even the harshest conditions, we have released two water-resistant, seam-sealed rain covers for 70-200 and smaller lenses: the Hydrophobia® 70-200 and the Hydrophobia® Flash 70-200 with built-in flash protector. It includes a camera strap that supports the camera’s and lens’ weight from the outside without sacrificing the rain cover’s water resistance. There is also no need to remove the strap that is already attached to the camera. A camera strap retainer loop inside the Hydrophobia stows the camera’s strap underneath the rain cover. And now, without exposing your expensive DSLR and lens to the elements, you can change memory cards and batteries without taking off the rain cover. Another key feature is the wide arm sleeves located on both sides for focusing, zooming and accessing controls. Other features include:
· A clear window for viewing LCD and controls
· A fabric cover for the end of the lens.
· An eyepiece storage pocket (eyepieces sold separately)
· A detachable camera strap
· A breathable mesh bag for transportation and storage
We created a short video that highlights these features.
Note: The Hydrophobia requires that you have the proper eyepiece for your make/model of camera body.
Specifications
Hydrophobia 70-200
Dimensions: 7.5″ W x 17″ L x 5.5″ D (19 x 43 x 14 cm)
Weight (rain cover only): 9.6 oz. (272 g)
Price: $139.00 (US)
Hydrophobia 70-200 Flash
Dimensions: 7.5″ W x 17″ L x 5.5″ D (19 x 43 x 14 cm)
Weight (rain cover only): 13 oz. (367 g)
Price: $145.00 (US)
It’s been a bit quiet on the blog in the last week as I have been hard at work. Winter is in full force here in British Columbia and that means i’m busy every day with one thing or another. Last weekend I headed north to the remote township of Bralorne. Bralorne is an old gold mining town high up in the mountains north of Whistler. At this time of year the best way to get there is with a snowmobile and a 2 hour sled up the Hurley pass from Pemberton meadows. In the middle of the winter the area has some phenomenal skiing but right now it’s not quite deep enough. I haven’t spent a lot of time up there before so this was an exploratory mission to get a feeling for the place and start to learn some of surrounding mountains. I have a love/hate relationship with snowmobiles. They allow you to access incredible terrain, but they are expensive and incredibly unreliable. On the first day of the trip a buddy of mine had a problem that was to plague us for the rest of the trip. Eventually his sled broke down completely at the top of Green Mountain and whilst towing him out in the dark ( it was also about -15 celcius) his foot got stuck in the foot-well as he got bucked from his sled tearing the ligaments in his knee….. not so cool. Eventually we got him back to Bralorne on the front of another sled, and back to civilization in Whistler the following day.
Back at home in Whistler I got a call from Jeff Thomas or Poorboyz. He was just getting into town with Tim Durtchi to go sledding for a few days. The following day was far to stormy to sled so we headed up Whistler Blackcomb with Brandon Kelly and Tim. The snow was DEEP but the weather was stormy so we headed into the trees and hiked around for a few hours. Next day the weather wasn’t much better but we decided to head up Rainbow mountain on our sleds for a few tree laps to find some pillows. Snow was great, bit heavy but Tim got a couple of cool shots. Brandon’s sled broke down in the parking lot so unfortunately he didn’t make it up (remember what I was saying about snowmobiles?). The following day we headed back up to the same area, temperatures had gone up though and throughout the day the snow got heavier and heavier. We spent a couple of hours building a jump but by the time it was finished, the snow on the in-run was so wet and sticky that there wasn’t enough speed to hit it. We were all soaked to the skin and freezing cold from water blowing off the nearby trees so we called it a day. And that’s where i’m at ! A day off the mountains to catch up on some office work. Hopefully next week brings a bit more sunshine!
A couple of quick photography related thoughts:
- My insurance company got me another Canon S90 after mine was stolen in Mexico. I LOVE this thing, there’s a couple of snaps in the gallery below. Something i have noticed though, when shooting in RAW, the embedded JPEG that is displayed on the screen has a heavy noise reduction applied to it. ISO performance is great, but the on screen JPEG tricked me into thinking it was slightly better than it actually was.
- The last few stormy days in Whistler I have been shooting with the Canon 7d. The weather sealing on this camera is clearly very very good, I have drenched this camera all day long covered in rain and snow with nothing covering it and it still keeps ticking. It’s nice to know I don’t have to baby this thing too much.
- It wasn’t really possible to take a laptop to Bralorne so I took my Colorspace UDMA with me for photo backup duty. Despite temperatures getting down to -15 Celsius is worked just fine!
Nikon today announced a brand new version of the AF-S Nikkor 300mm f/2.8G ED VR II. This new version includes a 4-stop image stabilization system where the last version was only a 3-stop. At the same time , a brand new 2x teleconverter has been announced that contains new aspherical lens elements for greatly improved optical performance. These 2 new additions to the line will be available in January , just in time for the Winter Olympics in Vancouver where I would expect to see a lot of these lenses in use with the new Nikon D3s.
Amazon already has the lens up for pre-order and I would expect demand from professionals to be reasonably high at their introduction.
Recommended pricing is US$5899.95 for the lens and US$499.95 for the TC-20EIII
Amazon Links – 300mm f2.8G ED VR II 2x Teleconverter
Nikon website links – 300mm 2.8 & 2x Teleconverter Continue reading »
Sometimes you stumble across something you wander how you ever did without; something that has so many uses that it instantly deserves a tiny piece of the valuable real-estate in your rapidly filling camera bag. These two accessories from LCD manufacturer Ikan are two such items but before all you stills photographers switch off, thinking this is just for video applications, think again…. and read on. Continue reading »

















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